Characteristics of Women: Moral, Poetical, and HistoricalWiley, 1850 - 340 sidor |
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Sida xxviii
... Florence - I would rather hear you defend Shakspeare . MEDON . I think it is Coleridge who so finely observes , that Shakspeare * Correspondence , vol . iii . ever kept the high road of human life , whereon xxviii INTRODUCTION .
... Florence - I would rather hear you defend Shakspeare . MEDON . I think it is Coleridge who so finely observes , that Shakspeare * Correspondence , vol . iii . ever kept the high road of human life , whereon xxviii INTRODUCTION .
Sida 33
... observes very beautifully , " that the title Measure for Measure is in reality a misnomer , the sense of the whole being properly the triumph of mercy over strict justice : " but it is also true , that there is " an original sin in the ...
... observes very beautifully , " that the title Measure for Measure is in reality a misnomer , the sense of the whole being properly the triumph of mercy over strict justice : " but it is also true , that there is " an original sin in the ...
Sida 34
... observes in the very first scene- Spirits are not finely touched , But to fine issues : nor nature never lends The smallest scruple of her excellence , But like a thrifty goddess she determines , Herself the glory of a creditor , Both ...
... observes in the very first scene- Spirits are not finely touched , But to fine issues : nor nature never lends The smallest scruple of her excellence , But like a thrifty goddess she determines , Herself the glory of a creditor , Both ...
Sida 54
... observes afterwards , how completely an Italian woman , either from nature or her social position , is led to invert the usual course of frailty among ourselves , and , weak • There was an Italian painter who said that the 54 JULIET .
... observes afterwards , how completely an Italian woman , either from nature or her social position , is led to invert the usual course of frailty among ourselves , and , weak • There was an Italian painter who said that the 54 JULIET .
Sida 74
... observes Schlegel , originates in a fanciless way of thinking , to which everything appears unnatural that does not suit its tame insipidity . Hence an idea has been formed of simple and natural pathos , which consists in exclamations ...
... observes Schlegel , originates in a fanciless way of thinking , to which everything appears unnatural that does not suit its tame insipidity . Hence an idea has been formed of simple and natural pathos , which consists in exclamations ...
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Characteristics of Women, Moral, Poetical, and Historical, Volym 2 Mrs. Jameson (Anna) Obegränsad förhandsgranskning - 1846 |
Characteristics of Women: Moral, Poetical, and Historical Mrs. Jameson (Anna) Obegränsad förhandsgranskning - 1879 |
Characteristics of Women: Moral, Poetical, and Historical Mrs. Jameson (Anna) Obegränsad förhandsgranskning - 1889 |
Vanliga ord och fraser
admiration affection ALDA Antony Bassanio Beatrice beauty Benedick breath Bretagne Cæsar Camiola character charm CLEOPATRA coloring Constance Cordelia Coriolanus CYMBELINE daughter death delicacy delineation Desdemona dignity dramatic eloquence expression exquisite eyes fancy father fear feeling female feminine fond gentle grace grief Hamlet hath heart heaven Helena Hermione heroine honor horror husband Iachimo Iago imagination Imogen impression innocence intellect Isabella Juliet Katherine king Lady Macbeth Leontes lord lover madam Madame de Staël manner marriage MEDON mind Miranda moral mother nature never noble Octavia once Ophelia Othello passion pathos PAULINA Perdita perfect pity placed play poetical poetry POLONIUS Portia portrait Posthumus pride queen Romeo Romeo and Juliet Rosalind scene scorn sense sentiment Shakspeare Shakspeare's Shylock simplicity soft soul speak spirit story sweet sympathy temper tenderness thee Thekla things thou thought touch true truth Viola virtue VOLUMNIA whole wife Winter's Tale woman women words youth
Populära avsnitt
Sida 113 - The chariest maid is prodigal enough, If she unmask her beauty to the moon: Virtue itself scapes not calumnious strokes: The canker galls the infants of the spring, Too oft before their buttons be disclos'd; And in the morn and liquid dew of youth Contagious blastments are most imminent.
Sida 325 - As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting "I dare not" wait upon "I would," Like the poor cat i
Sida 326 - Like the poor cat i' the adage? Macb. Prithee, peace I dare do all that may become a man; Who dares do more is none. Lady M. What beast was't then That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man.
Sida 278 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
Sida 326 - I have given suck, and know How tender 'tis to love the babe that milks me; I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Sida 100 - Yet nature is made better by no mean, But nature makes that mean: so, o'er that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.
Sida 74 - tis pretty to force together Thoughts so all unlike each other; To mutter and mock a broken charm, To dally with wrong that does no harm. Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of love and pity.
Sida 98 - Even here undone ! I was not much afeard : for once, or twice, I was about to speak ; and tell him plainly, The selfsame sun, that shines upon his court, Hides not his visage from our cottage, but Looks on alike.— Will 't please you, sir, be gone?
Sida xv - Yes, I am proud; I must be proud to see Men not afraid of God afraid of me: Safe from the Bar, the Pulpit, and the Throne, Yet touched and shamed by ridicule alone.
Sida 71 - Well, do not swear: although I joy in thee, I have no joy of this contract to-night : It is too rash, too unadvised, too sudden ; Too like the lightning, which doth cease to be, Ere one can say — It lightens.