Coming of Age in ShakespeareMethuen, 1981 - 248 sidor **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
Från bokens innehåll
Resultat 1-3 av 71
Sida 25
... comes too late , just as his refusal to acknowledge his own sexual nature , as we will see , contributes in no small way to the displacement of sexual passions in the direction of violence . Psychoanalysts have seen in him ' a fear of ...
... comes too late , just as his refusal to acknowledge his own sexual nature , as we will see , contributes in no small way to the displacement of sexual passions in the direction of violence . Psychoanalysts have seen in him ' a fear of ...
Sida 61
... comes immediately after Antony's funeral oration . But Octavius is repeatedly described as ' young ' ; he is untried , an uninitiated novice , and there is in Antony's phrase ' no Rome of safety ' for him yet ( III . i . 289 ) . It is ...
... comes immediately after Antony's funeral oration . But Octavius is repeatedly described as ' young ' ; he is untried , an uninitiated novice , and there is in Antony's phrase ' no Rome of safety ' for him yet ( III . i . 289 ) . It is ...
Sida 228
... come to terms with his own sexual nature and with the nature of love . In Act II scene i , the dance at Leonato's house ... comes another , in the chapel , and the unmasking of Hero is transmuted into the more elabo- rate and more richly ...
... come to terms with his own sexual nature and with the nature of love . In Act II scene i , the dance at Leonato's house ... comes another , in the chapel , and the unmasking of Hero is transmuted into the more elabo- rate and more richly ...
Innehåll
SEPARATION AND INDIVIDUATION | 30 |
NOMINATION AND ELECTION | 52 |
PLAIN SPEAKING | 80 |
Upphovsrätt | |
4 andra avsnitt visas inte
Andra upplagor - Visa alla
Vanliga ord och fraser
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young