Works ...Amer. Book Company, 1909 |
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Sida 7
... 167 APPENDIX Charles Cowden - Clarke's Comments on the Play 267 The Time - Analysis of the Play 282 List of Characters in the Play 284 INDEX OF WORDS AND PHRASES EXPLAINED 287 STONEHENGE ! INTRODUCTION TO CYMBELINE THE HISTORY OF THE PLAY ...
... 167 APPENDIX Charles Cowden - Clarke's Comments on the Play 267 The Time - Analysis of the Play 282 List of Characters in the Play 284 INDEX OF WORDS AND PHRASES EXPLAINED 287 STONEHENGE ! INTRODUCTION TO CYMBELINE THE HISTORY OF THE PLAY ...
Sida 181
... ( Clarke ) . 60. No guess in knowledge . No certain guess , none that proves true . 63. Convey'd . Stolen ; a cant term . Cf. Rich . II . iv . 1. 317 : " O , good ! Convey ? — conveyers are you all . " See also M. W. i . 3.30 fol . 70 ...
... ( Clarke ) . 60. No guess in knowledge . No certain guess , none that proves true . 63. Convey'd . Stolen ; a cant term . Cf. Rich . II . iv . 1. 317 : " O , good ! Convey ? — conveyers are you all . " See also M. W. i . 3.30 fol . 70 ...
Sida 182
... which renders the mind insensible to all things else , is represented with equal force and simplicity . " 116. Sear . " Cere " and " seal " have been suggested , but 66 probably , as Clarke suggests , sear is here 182 [ Act I Notes 15.
... which renders the mind insensible to all things else , is represented with equal force and simplicity . " 116. Sear . " Cere " and " seal " have been suggested , but 66 probably , as Clarke suggests , sear is here 182 [ Act I Notes 15.
Sida 183
William Shakespeare. 66 probably , as Clarke suggests , sear is here used to express the dry withering of death , as well as the closing with wax by those bonds of death , cerecloths [ cf. M. of V. ii . 7. 51 ] , sometimes written seare ...
William Shakespeare. 66 probably , as Clarke suggests , sear is here used to express the dry withering of death , as well as the closing with wax by those bonds of death , cerecloths [ cf. M. of V. ii . 7. 51 ] , sometimes written seare ...
Sida 185
... ( Clarke ) . 27. A true election . A right choice . White thinks there is an allusion to the Calvinistic doctrine of election . 29. Her beauty and her brain , etc. Her beauty and wit are not equal . 30. She's a good sign , etc. " She has ...
... ( Clarke ) . 27. A true election . A right choice . White thinks there is an allusion to the Calvinistic doctrine of election . 29. Her beauty and her brain , etc. Her beauty and wit are not equal . 30. She's a good sign , etc. " She has ...
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accent Ambrogiolo AMERICAN BOOK COMPANY Arviragus Augustus Cæsar Belarius blood Boccaccio Britain Briton brother Cadwal Cæsar call'd Cassibelan cave character Clarke Cloten Cornelius court Cymbeline Cymbeline's dead death doth Enter Exeunt Exit eyes false father fear Fidele flowers folios fool Gaoler garment Gentleman give gods Guiderius hast hath hear heart heaven Holinshed honour husband Iachimo Imogen instance Johnson Julius Cæsar Jupiter king lady Lear Leonatus letter lord Lucius Macb madam Malone master means Milford-Haven mistress mother nature Nennius noble noun passage Philario Pisanio play poison Polydore Posthumus pray prince prithee Queen remarks Rich Roman Rome SCENE Schmidt sense Shakespeare shalt Sicilius Sonn speak Steevens sweet sword syllable Temp thee There's thing thou art treach true verb Verplanck verse villain virtue Whole Winter's Tale woman word worthy prince youth Zinevra
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Sida 55 - Phoebus gins arise, His steeds to water at those springs On chalic'd flowers that lies ; And winking Mary-buds begin To ope their golden eyes : With every thing that pretty is, My lady sweet arise ; Arise, arise ! Clo.
Sida 111 - O thou goddess, Thou divine Nature, how thyself thou blazon'st In these two princely boys! They are as gentle As zephyrs, blowing below the violet, Not wagging his sweet head: and yet as rough, Their royal blood enchafd, as the rud'st wind, That by the top doth take the mountain pine, And make him stoop to the vale.
Sida 116 - Fear no more the frown o' the great; Thou art past the tyrant's stroke; Care no more to clothe and eat; To thee the reed is as the oak. The sceptre, learning, physic, must All follow this, and come to dust.
Sida 216 - Full little knowest thou that hast not tride, What hell it is, in suing long to bide : To loose good dayes, that might be better spent...
Sida 68 - And that most venerable man which I Did call my father, was I know not where When I was stamped ; some coiner with his tools Made me a counterfeit : yet my mother seem'd The Dian of that time ; so doth my wife The nonpareil of this.
Sida 13 - This play has many just sentiments, some natural dialogues, and some pleasing scenes, but they are obtained at the expense of much incongruity. To remark the folly of the fiction, the absurdity of the conduct, the confusion of the names and manners of different times, and the impossibility of the events in any system of life, were to waste criticism upon unresisting imbecility, upon faults too evident for detection, and too gross for aggravation.
Sida 218 - Saturn laugh'd and leap'd with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell...
Sida 187 - If we should fail? Lady M. We fail! But screw your courage to the sticking-place, And we'll not fail. When Duncan is asleep — Whereto the rather shall his day's hard journey Soundly invite him — his two chamberlains Will I with wine and wassail so convince That memory, the warder of the brain, Shall be a fume, and the receipt of reason A limbeck only...
Sida 83 - tis slander, Whose edge is sharper than the sword ; whose tongue Outvenoms all the worms of Nile ; * whose breath Rides on the posting winds, and doth belie All corners of the world : kings, queens, and states,3 Maids, matrons, nay, the secrets of the grave This viperous slander enters.
Sida 278 - With fairest flowers, Whilst summer lasts, and I live here, Fidele, I'll sweeten thy sad grave : thou shalt not lack The flower that's like thy face, pale primrose ; nor The azured hare-bell, like thy veins ; no, nor The leaf of eglantine, whom not to slander, Out-sweeten'd not thy breath...