A Short History of the English DramaHarcourt, Brace, 1921 - 260 sidor |
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... Restoration and Eighteenth Century has proved altogether indispensable . Some sim- ply written but very accurate works for school use have helped again and again . Such are the Introduction to Professor C. G. Child's edition of The ...
... Restoration and Eighteenth Century has proved altogether indispensable . Some sim- ply written but very accurate works for school use have helped again and again . Such are the Introduction to Professor C. G. Child's edition of The ...
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... Restoration . Heroic Drama . 127 51. William D'Avenant 131 52. John Dryden . 132 53 , Etherege , Wycherley , and Others 138 54. Nathaniel Lee 141 55. Thomas Otway 142 VIII . LATE RESTORATION DRAMA AND THE RISE OF DEMOCRATIC TENDENCIES ...
... Restoration . Heroic Drama . 127 51. William D'Avenant 131 52. John Dryden . 132 53 , Etherege , Wycherley , and Others 138 54. Nathaniel Lee 141 55. Thomas Otway 142 VIII . LATE RESTORATION DRAMA AND THE RISE OF DEMOCRATIC TENDENCIES ...
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... restoration to life of one of the characters is the point upon which has been based the descent of this play from pagan festivals cele- brating the death and resurrection of the year . " Per- haps the best examples , however , of the ...
... restoration to life of one of the characters is the point upon which has been based the descent of this play from pagan festivals cele- brating the death and resurrection of the year . " Per- haps the best examples , however , of the ...
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... Restoration attitude that sought to refine Shakespeare's works , the ra- tionalistic and didactic point of view represented by such a critic as Rymer , the attitude of the French classicist Voltaire , the interest that developed so ...
... Restoration attitude that sought to refine Shakespeare's works , the ra- tionalistic and didactic point of view represented by such a critic as Rymer , the attitude of the French classicist Voltaire , the interest that developed so ...
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... Restoration , Jonson and Beaumont and Fletcher were among the leading influences . 66 • 47. John Ford . — John Ford ( 1586-1640 ? ) was a native of Islington in Devonshire . A man of his name was entered at Exeter College , Oxford , in ...
... Restoration , Jonson and Beaumont and Fletcher were among the leading influences . 66 • 47. John Ford . — John Ford ( 1586-1640 ? ) was a native of Islington in Devonshire . A man of his name was entered at Exeter College , Oxford , in ...
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Populära avsnitt
Sida 181 - ... in which the virtues of private life are exhibited, rather than the vices exposed ; and the distresses rather than the faults of mankind make our interest in the piece.
Sida 94 - But deeds and language such as men do use, And persons such as Comedy would choose, When she would show an image of the times. And sport with human follies, not with crimes; Except we make 'em such, by loving still Our popular errors, when we know they're ill.
Sida 181 - But there is one argument in favour of sentimental comedy which will keep it on the stage, in spite of all that can be said against it. It is of all others the most easily written. Those abilities, that can hammer out a novel, are fully sufficient for the production of a sentimental comedy.
Sida 68 - The best in this kind are but shadows ; and the worst are no worse, if imagination amend them.
Sida 224 - Unpleasant. -The reason is pretty obvious ; their dramatic power is used to force the spectator to face unpleasant facts. No doubt all plays which deal sincerely with humanity must wound the monstrous conceit which it is the business of romance to flatter.
Sida 181 - In these plays almost all the characters are good and exceedingly generous; they are lavish enough of their tin money on the stage; and though they want humor, have abundance of sentiment and feeling. If they happen to have faults or foibles, the spectator is taught not only to pardon but to applaud them, in consideration of the goodness of their hearts...
Sida 106 - A tragi-comedy is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some near it, which is enough to make it no comedy, which must be a representation of familiar people, with such kind of trouble as no life be questioned; so that a god is as lawful in this as in a tragedy, and mean people as in a comedy.
Sida 30 - The people, moved with the cruelty of the fact, rose in rebellion, and slew both father and mother. The nobility assembled, and most terribly destroyed the rebels ; and afterwards, for want of issue of the prince, whereby the succession of the crown became uncertain, they fell to civil war...
Sida 181 - ... consideration of the goodness of their hearts; so that folly, instead of being ridiculed, is commended, and the comedy aims at touching our passions without the power of being truly pathetic. In this manner we are likely to lose one great source of entertainment on the stage; for while the comic poet is invading the province of the tragic muse, he leaves her lovely sister quite neglected.
Sida 84 - The cloud-capp'd towers, tlie gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind.
Hänvisningar till den här boken
English Domestic Tragedy of the Eighteenth Century Mary Ellen Latimer Fragmentarisk förhandsgranskning - 1935 |
George Farquhar: Professional Dramatist Martha Patricia Cronin Fragmentarisk förhandsgranskning - 1958 |