The TempestArden Shakespeare, 1999 - 366 sidor This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
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Sida 141
... ALONSO a common Italian name used here for a fictional character . As King of Naples Alonso controls a large area of the Italian peninsula south of the Papal States . During Shakespeare's lifetime , Spain controlled that part of Italy ...
... ALONSO a common Italian name used here for a fictional character . As King of Naples Alonso controls a large area of the Italian peninsula south of the Papal States . During Shakespeare's lifetime , Spain controlled that part of Italy ...
Sida 272
... ALONSO A daughter ? O. 135 PROSPERO ALONSO 140 PROSPERO And rest myself content . ALONSO PROSPERO 145 135 particulars the details 136 whom emended by F2 and Rowe to ' who ' , but cf. 76 and n . since ago 139 I ... for't ' I am sorry ...
... ALONSO A daughter ? O. 135 PROSPERO ALONSO 140 PROSPERO And rest myself content . ALONSO PROSPERO 145 135 particulars the details 136 whom emended by F2 and Rowe to ' who ' , but cf. 76 and n . since ago 139 I ... for't ' I am sorry ...
Sida 276
... Alonso consents to the marriage . 198 forgiveness This line shows that Alonso repents his involvement in Prospero's usurpation . There , sir , stop . In some perfor- mances , Alonso tries to kneel before Miranda while asking forgiveness ...
... Alonso consents to the marriage . 198 forgiveness This line shows that Alonso repents his involvement in Prospero's usurpation . There , sir , stop . In some perfor- mances , Alonso tries to kneel before Miranda while asking forgiveness ...
Innehåll
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Upphovsrätt | |
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actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word
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