The TempestArden Shakespeare, 1999 - 366 sidor This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
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Sida xiii
... Final -ed in past tense and participial forms of verbs is always printed as -ed without accent , never as ' d , but wherever the required pronunciation diverges from modern usage a note in the commentary draws attention to the fact ...
... Final -ed in past tense and participial forms of verbs is always printed as -ed without accent , never as ' d , but wherever the required pronunciation diverges from modern usage a note in the commentary draws attention to the fact ...
Sida 98
... final speech , Prospero's farewell to the stage from The Tempest ( 4.1.148–63 ) . MacKaye's identification of Prospero with Shakespeare as a figure of omniscient wisdom epitomizes the nineteenth and early twentieth century's ...
... final speech , Prospero's farewell to the stage from The Tempest ( 4.1.148–63 ) . MacKaye's identification of Prospero with Shakespeare as a figure of omniscient wisdom epitomizes the nineteenth and early twentieth century's ...
Sida 158
... final stage - setting the prisoners adrift - depends on how one reads then ( 162 ) . 134 hint ' indication intended to be caught by the intelligent ; a suggestion or implication conveyed in an indirect or covert manner ' ( OED sb . 2a ) ...
... final stage - setting the prisoners adrift - depends on how one reads then ( 162 ) . 134 hint ' indication intended to be caught by the intelligent ; a suggestion or implication conveyed in an indirect or covert manner ' ( OED sb . 2a ) ...
Innehåll
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Upphovsrätt | |
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actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word
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