The Poetics of Imperialism: Translation and Colonization from The Tempest to TarzanOxford University Press, 1991 - 202 sidor The Poetics of Imperialism redefines the Anglo-American frontier in terms of problems of translation. Exploring questions of language and colonization, the book demonstrates how intracultural problems of translation--rooted in conflicts of race, gender, and class in the Western tradition of property--were projected onto the communal economics of kinship in the New World as the primary process of dispossession. In describing this process of translation, Cheyfitz examines a range of texts from European travel narratives to the work of Frederick Douglass, Frantz Fanon, and Leslie Marmon Silko; from The Tempest to Tarzan. This venture in the conjunction of critical theory and cultural studies cuts across the disciplines of literature, anthropology, and history within the context of critical theory. |
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Sida xvii
... proper , or literal . In the classical tradition of rhetoric from which this opposition is taken , the opposed terms are typically those of the meta- ` phoric and the proper , the literal being a particular species of the proper ...
... proper , or literal . In the classical tradition of rhetoric from which this opposition is taken , the opposed terms are typically those of the meta- ` phoric and the proper , the literal being a particular species of the proper ...
Sida 36
... proper and one figurative [ un propre et un figuré ] . " And , Barthes continues , this division into a proper and a figurative language cannot be separated from the division " national / foreign " ( national / étranger ) and " familiar ...
... proper and one figurative [ un propre et un figuré ] . " And , Barthes continues , this division into a proper and a figurative language cannot be separated from the division " national / foreign " ( national / étranger ) and " familiar ...
Sida 72
... proper of the play that sets the action going . And this action , until at the end of the play Prospero , like De La Warr in the True Declaration , puts everyone in his or her proper place ( proper from Prospero's perspective , that is ) ...
... proper of the play that sets the action going . And this action , until at the end of the play Prospero , like De La Warr in the True Declaration , puts everyone in his or her proper place ( proper from Prospero's perspective , that is ) ...
Innehåll
The Foreign Policy of Metaphor | 22 |
Translating Property | 41 |
Translation Transportation Usurpation | 59 |
Upphovsrätt | |
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The Poetics of Imperialism: Translation and Colonization from The Tempest to ... Eric Cheyfitz Begränsad förhandsgranskning - 1997 |
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absolute Algonquian Algonquian languages alienation apes appears Arawaks Aristotle articulates become Caliban cannibal century Chapter Cibecue Cicero civilized classical colonial colonists Columbian Orator Columbus communication conflict context Cronon crucial cultures decorum displacement domestic Douglass eloquent orator Emerson empire England English equivocal essay European example figure force Frantz Fanon frontier Greystoke ground human idea identity ideological imperial island Jamestown kin-ordered land Leslie Marmon Silko linguistic literal Loeb Classical Library master meaning metaphor Miranda mode Montaigne Montaigne's Native American nature notion play political possession Powhatan primal problem of translation process of translation proper Prospero Puttenham relation Renaissance represent rhetorical Richard Hakluyts romance savage scene of translation Sea Venture Shakespeare slave social speak speech suggests Tarzan tells Tempest tion Todorov tradition translatio translatio imperii True Declaration U.S. foreign policy understand University Press univocal usurpation Virginia voyage weroance Western words World writing York
Hänvisningar till den här boken
Translation in Systems: Descriptive and Systemic Approaches Explained Theo Hermans Fragmentarisk förhandsgranskning - 1999 |
Translation and Empire: Postcolonial Theories Explained Douglas Robinson Fragmentarisk förhandsgranskning - 1997 |