While freedom's form beside her roves, The sixth stanza had instead of 'unknown.' eighth stanzas were not ninth stanza, instead of, 'If weak to soothe so soft a heart,' the reading was, 'If drawn with all a lover's art.' Many variations I have forgotten. Dr. Warton, my brother, has a few fragments of some other odes, but too loose and imperfect for publication, yet containing traces of high imagery. In the Ode to Pity, the idea of a Temple of Pity, of its situation, construction, and groups of painting with which its walls were decorated, was borrowed from a poem, now lost, entitled the Temple of Pity, written by my brother, while he and Collins were school-fellows at Winchester College. 'untaught' in the first line, The present seventh and in the manuscript. In the In illustration of what Dr. Johnson has related, that during his last malady he was a great reader of the Bible, I am favoured with the following anecdote from the Reverend Mr. Shenton, Vicar of St. Andrew's, at Chichester, by whom Collins was buried: 'Walking in my vicarial garden one Sunday evening, during Collins's last illness, I heard a female (the servant, I suppose) reading the Bible in his chamber. Mr. Collins had been accustomed to rave much, and to make great moanings; but while she was reading, or rather attempting to read, he was not only silent but attentive likewise, correcting her mistakes, which indeed were very frequent, through the whole of the twenty-seventh. chapter of Genesis.' I have just been informed, from undoubted authority, that Collins had finished a Preliminary Dissertation to be prefixed to his History of the Restoration of Learning, and that it was written with great judgment, precision, and knowledge of the subject. T. W. In Georgia's Land, where Tefflis' Tow'rs are seen In silent Horror o'er the Desart-Waste In yonder Grave a Druid lies O Thou by Nature taught O Thou, the Friend of Man assign'd When Music, Heav'nly Maid, was young While, own'd by You, with Smiles the Muse surveys Ye curious hands, that hid from vulgar eyes 13 10 63 34 29 53 41 31 ¶ Poetry: Reproductions of Original Editions BROWNING. Men and Women, 1855. The two volumes in one. BURNS. The Kilmarnock Edition, 1786. type-facsimile. COLERIDGE & WORDSWORTH. 1798. Edited by H. LITTLEdale. Reprinted in Lyrical Ballads, COLLINS. Poems. With facsimile title-pages, three illustrations, and a Memoir by CHRISTOPHER Stone. GRAY. Poems, 1768. Reprinted in type-facsimile, with four illustrations. KEATS. Lamia, Isabella, The Eve of St. Agnes, and other Poems, 1820. A page-for-page and line-for-line reprint, with a facsimile title-page. SHELLEY (MARY). Proserpine and Midas. unpublished Mythological Dramas. Edited by A. KOSZUL. Two SHELLEY. Prometheus Unbound, with other Poems, 1820. With a portrait. TENNYSON. Poems, 1842. WORDSWORTH. Poems, 1807. ¶ Selections from the Poets BARNES (WILLIAM). Edited with a Preface and glossarial notes by THOMAS HARDY. With a portrait. BLAKE. The Lyrical Poems. With an Introduction (45 pages) by Sir WALTER RALEIGH, and two drawings by BLAKE. Also on Oxford India Paper, 4s. 6d. net. CLARE (JOHN). With an Introduction by ARTHUR SYMONS. CLOUGH. The Bothie, and other Poems. Edited by H. S. MILFORD. DE TABLEY (LORD). With an Introduction by JOHN DRINKWATER. PRAED (WILLIAM MACKWORTH). A. D. GODLEY. With a portrait. Edited by SOUTHEY (ROBERT). The Lives and Works of the Uneducated Poets. Edited by J. S. CHILDERS. |