Dramatic Closure: Reading the EndFairleigh Dickinson University Press, 1995 - 144 sidor In Dramatic Closure, author June Schlueter explores closure within both a traditional Aristotelian paradigm and contemporary reader-response theory, necessarily revising narrative insights to accommodate the special features of drama as a literary and performance form. Examples of plays from Oedipus to the present appear throughout the book, and individual chapters are dedicated to sustained discussions of William Shakespeare's King Lear, Tom Stoppard's Rosencrantz and Guildenstern Are Dead, Arthur Miller's The Ride Down Mount Morgan, and Tennessee Williams's A Streetcar Named Desire. The author emphasizes Shakespeare and, especially, modern drama in the belief that these plays provide salient models of the theoretical principles of reading toward closure. A chapter on tendencies in modern plays covers a wide range of material, suggesting ways in which twentieth-century drama disrupts the Aristotelian model and defers to the provisional or unsettling end. |
Andra upplagor - Visa alla
Vanliga ord och fraser
action activated actor aesthetic anticipates appear audience becomes beginning Blanche Blanche's called character close closure comes complete consistent context continuous conventions conversation course critical dead death describes dialogue direction drama dramatic earlier Edgar effect event example expectations experience father feeling fictional final follows force frame genre Hamlet Hamlet play hand historical implied individual insists interpretive involves Jauss kind King Lear lines literary literature Lyman meaning moment moments moral Moreover moves narrative offers participant particular past performance text person play present production progress promised proposes provides puts question reader readerly reading reality refusal respect response retrospective role Rosencrantz and Guildenstern scene script sense sequence Shakespeare space speaks spectator speech stage Stanley Stanley's Stoppard story structure takes theater theatrical theory tion tragedy understanding unit University Press whole woman writerly text writing York
Hänvisningar till den här boken
Perverse Mind: Eugene O'Neill's Struggle with Closure Barbara Voglino Begränsad förhandsgranskning - 1999 |
Dislocating the End: Climax, Closure, and the Invention of Genre Alan Charles Rosen Fragmentarisk förhandsgranskning - 2001 |