UlyssesThe Floating Press, 1 jan. 2009 - 1023 sidor James Joyce's novel Ulysses is said to be one of the most important works in Modernist literature. It details Leopold Bloom's passage through Dublin on an ordinary day: June 16, 1904. Causing controversy, obscenity trials and heated debates, Ulysses is a pioneering work that brims with puns, parodies, allusions, stream-of-consciousness writing and clever structuring. Modern Library ranked it as number one on its list of the twentieth century's 100 greatest English-language novels and Martin Amis called it one of the greatest novels ever written. |
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Sida 43
... Deasy told me to write them out all again, he said, and show them to you, sir. Stephen touched the edges of the book. Futility. —Do you understand how to do them now? he asked. —Numbers eleven to fifteen, Sargent answered. Mr Deasy said ...
... Deasy told me to write them out all again, he said, and show them to you, sir. Stephen touched the edges of the book. Futility. —Do you understand how to do them now? he asked. —Numbers eleven to fifteen, Sargent answered. Mr Deasy said ...
Sida 45
... Deasy is calling you. He stood in the porch and watched the laggard hurry towards the scrappy field where sharp voices were in strife. They were sorted in teams and Mr Deasy came away stepping over wisps of grass with gaitered feet ...
... Deasy is calling you. He stood in the porch and watched the laggard hurry towards the scrappy field where sharp voices were in strife. They were sorted in teams and Mr Deasy came away stepping over wisps of grass with gaitered feet ...
Sida 46
... Deasy said, till I restore order here. And as he stepped fussily back across the field his old man's voice cried sternly: —What is the matter? What is it now? Their sharp voices cried about him on all sides: their many forms closed ...
... Deasy said, till I restore order here. And as he stepped fussily back across the field his old man's voice cried sternly: —What is the matter? What is it now? Their sharp voices cried about him on all sides: their many forms closed ...
Sida 47
... Deasy said. You have earned it. Stephen's hand, free again, went back to the hollow shells. Symbols too of beauty and of power. A lump in my pocket: symbols soiled by greed and misery. —Don't carry it like that, Mr Deasy said. You'll ...
... Deasy said. You have earned it. Stephen's hand, free again, went back to the hollow shells. Symbols too of beauty and of power. A lump in my pocket: symbols soiled by greed and misery. —Don't carry it like that, Mr Deasy said. You'll ...
Sida 48
... Deasy said , pointing his finger . You don't know yet what money is . Money is power . When you have lived as long as I have . I know , I know . If youth but knew . But what does Shakespeare say ? PUT BUT MONEY IN THY PURSE . -Iago ...
... Deasy said , pointing his finger . You don't know yet what money is . Money is power . When you have lived as long as I have . I know , I know . If youth but knew . But what does Shakespeare say ? PUT BUT MONEY IN THY PURSE . -Iago ...
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arms asked better bloody Bloom Boylan Buck Mulligan Cissy Caffrey Corny Kelleher cried dark dead Deasy Dedalus Dignam Dollard Dolphin's Barn door Dublin eyes face Father Conmee fellow fingers FLORRY gaze gentleman Gerty girl Haines hair hand head hear heard heart Howth Ireland Irish J. J. O'Molloy Jack Power Kevin Egan kiss lady laughing Lenehan Leopold Leopold Bloom lips look lord LYNCH Martin Cunningham Menton metempsychosis miss Douce Molly morning mother mouth Mullingar Myles Crawford Nelson's pillar never night PADDY DIGNAM passed pocket poor Poulaphouca Red Murray round says Alf says Joe says the citizen shillings Simon Dedalus smiled Stephen Stephen Dedalus street tell There's thing told turned VIRAG voice Wait walked WATCH What's wife woman wonder word young ZINFANDEL