UlyssesThe Floating Press, 1 jan. 2009 - 1023 sidor James Joyce's novel Ulysses is said to be one of the most important works in Modernist literature. It details Leopold Bloom's passage through Dublin on an ordinary day: June 16, 1904. Causing controversy, obscenity trials and heated debates, Ulysses is a pioneering work that brims with puns, parodies, allusions, stream-of-consciousness writing and clever structuring. Modern Library ranked it as number one on its list of the twentieth century's 100 greatest English-language novels and Martin Amis called it one of the greatest novels ever written. |
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Sida 14
... coming, Buck Mulligan answered. He turned towards Stephen and said: —Look at the sea. What does it care about offences? Chuck Loyola, Kinch, and come on down. The Sassenach wants his morning rashers. His head halted again for a moment ...
... coming, Buck Mulligan answered. He turned towards Stephen and said: —Look at the sea. What does it care about offences? Chuck Loyola, Kinch, and come on down. The Sassenach wants his morning rashers. His head halted again for a moment ...
Sida 16
... coming, Stephen said, turning. —Do, for Jesus' sake, Buck Mulligan said. For my sake and for all our sakes. His head disappeared and reappeared. —I told him your symbol of Irish art. He says it's very clever. Touch him for a quid, will ...
... coming, Stephen said, turning. —Do, for Jesus' sake, Buck Mulligan said. For my sake and for all our sakes. His head disappeared and reappeared. —I told him your symbol of Irish art. He says it's very clever. Touch him for a quid, will ...
Sida 18
... coming forward. The key scraped round harshly twice and, when the heavy door had been set ajar, welcome light and bright air entered. Haines stood at the doorway, looking out. Stephen haled his upended valise to the table and sat down ...
... coming forward. The key scraped round harshly twice and, when the heavy door had been set ajar, welcome light and bright air entered. Haines stood at the doorway, looking out. Stephen haled his upended valise to the table and sat down ...
Sida 19
... coming up with the milk. —The blessings of God on you! Buck Mulligan cried, jumping up from his chair. Sit down. Pour out the tea there. The sugar is in the bag. Here, I can't go fumbling at the damned eggs. He hacked through the fry on ...
... coming up with the milk. —The blessings of God on you! Buck Mulligan cried, jumping up from his chair. Sit down. Pour out the tea there. The sugar is in the bag. Here, I can't go fumbling at the damned eggs. He hacked through the fry on ...
Sida 27
... coming, you fellows? —I'm ready, Buck Mulligan answered, going towards the door. Come out, Kinch. You have eaten all we left, I suppose. Resigned he passed out with grave words and gait, saying, wellnigh with sorrow: —And going forth he ...
... coming, you fellows? —I'm ready, Buck Mulligan answered, going towards the door. Come out, Kinch. You have eaten all we left, I suppose. Resigned he passed out with grave words and gait, saying, wellnigh with sorrow: —And going forth he ...
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arms asked better bloody Bloom Boylan Buck Mulligan Corny Kelleher cried dark dead Deasy Dedalus Dignam Dollard Dolphin's Barn door Dublin eyes face Father Conmee fellow field figure find fine fingers fire first five flesh FLORRY flow flower gentleman Gerty girl Haines hair hand head hear heart Howth Ireland Irish J. J. O'Molloy Jack Power Kevin Egan kiss lady laughing Lenehan Leopold Leopold Bloom lips look lord LYNCH Martin Cunningham Menton Molly mother mouth Mullingar Myles Crawford Nelson's pillar never night office PADDY DIGNAM passed pocket poor Poulaphouca Red Murray reflection round says Alf says Joe says the citizen shillings Simon Dedalus smiled Stephen Stephen Dedalus street tell There's thing told turned VIRAG voice Wait walked WATCH What's wife woman word young ZINFANDEL