UlyssesThe Floating Press, 1 jan. 2009 - 1023 sidor James Joyce's novel Ulysses is said to be one of the most important works in Modernist literature. It details Leopold Bloom's passage through Dublin on an ordinary day: June 16, 1904. Causing controversy, obscenity trials and heated debates, Ulysses is a pioneering work that brims with puns, parodies, allusions, stream-of-consciousness writing and clever structuring. Modern Library ranked it as number one on its list of the twentieth century's 100 greatest English-language novels and Martin Amis called it one of the greatest novels ever written. |
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Sida 4
... morning air. He held the bowl aloft and intoned: —INTROIBO AD ALTARE DEI. Halted, he peered down the dark winding stairs and called out coarsely: —Come up, Kinch! Come up, you fearful jesuit! Solemnly he came forward and mounted the ...
... morning air. He held the bowl aloft and intoned: —INTROIBO AD ALTARE DEI. Halted, he peered down the dark winding stairs and called out coarsely: —Come up, Kinch! Come up, you fearful jesuit! Solemnly he came forward and mounted the ...
Sida 14
... morning rashers. His head halted again for a moment at the top of the staircase, level with the roof: —Don't mope over it all day, he said. I'm inconsequent. Give up the moody brooding. His head vanished but the drone of his descending ...
... morning rashers. His head halted again for a moment at the top of the staircase, level with the roof: —Don't mope over it all day, he said. I'm inconsequent. Give up the moody brooding. His head vanished but the drone of his descending ...
Sida 16
... . —I told him your symbol of Irish art. He says it's very clever. Touch him for a quid, will you? A guinea, I mean. —I get paid this morning, Stephen said. —The school kip? Buck Mulligan said. How much? Four quid? 16.
... . —I told him your symbol of Irish art. He says it's very clever. Touch him for a quid, will you? A guinea, I mean. —I get paid this morning, Stephen said. —The school kip? Buck Mulligan said. How much? Four quid? 16.
Sida 21
... morning, sir, she said. Glory be to God. —To whom? Mulligan said, glancing at her. Ah, to be sure! Stephen reached back and took the milkjug from the locker. —The islanders, Mulligan said to Haines casually, speak frequently of the ...
... morning, sir, she said. Glory be to God. —To whom? Mulligan said, glancing at her. Ah, to be sure! Stephen reached back and took the milkjug from the locker. —The islanders, Mulligan said to Haines casually, speak frequently of the ...
Sida 22
... morning. To serve or to upbraid, whether he could not tell: but scorned to beg her favour. —It is indeed, ma'am, Buck Mulligan said, pouring milk into their cups. —Taste it, sir, she said. He drank at her bidding. —If we could live on ...
... morning. To serve or to upbraid, whether he could not tell: but scorned to beg her favour. —It is indeed, ma'am, Buck Mulligan said, pouring milk into their cups. —Taste it, sir, she said. He drank at her bidding. —If we could live on ...
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arms asked better bloody Bloom Boylan Buck Mulligan Cissy Caffrey Corny Kelleher cried dark dead Deasy Dedalus Dignam Dollard Dolphin's Barn door Dublin eyes face Father Conmee fellow fingers FLORRY gaze gentleman Gerty girl Haines hair hand head hear heard heart Howth Ireland Irish J. J. O'Molloy Jack Power Kevin Egan kiss lady laughing Lenehan Leopold Leopold Bloom lips look lord LYNCH Martin Cunningham Menton metempsychosis miss Douce Molly morning mother mouth Mullingar Myles Crawford Nelson's pillar never night PADDY DIGNAM passed pocket poor Poulaphouca Red Murray round says Alf says Joe says the citizen shillings Simon Dedalus smiled Stephen Stephen Dedalus street tell There's thing told turned VIRAG voice Wait walked WATCH What's wife woman wonder word young ZINFANDEL