UlyssesThe Floating Press, 1 jan. 2009 - 1023 sidor James Joyce's novel Ulysses is said to be one of the most important works in Modernist literature. It details Leopold Bloom's passage through Dublin on an ordinary day: June 16, 1904. Causing controversy, obscenity trials and heated debates, Ulysses is a pioneering work that brims with puns, parodies, allusions, stream-of-consciousness writing and clever structuring. Modern Library ranked it as number one on its list of the twentieth century's 100 greatest English-language novels and Martin Amis called it one of the greatest novels ever written. |
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Sida 21
... sure! Stephen reached back and took the milkjug from the locker. —The islanders, Mulligan said to Haines casually, speak frequently of the collector of prepuces. —How much, sir? asked the old woman. —A quart, Stephen said. He watched ...
... sure! Stephen reached back and took the milkjug from the locker. —The islanders, Mulligan said to Haines casually, speak frequently of the collector of prepuces. —How much, sir? asked the old woman. —A quart, Stephen said. He watched ...
Sida 23
... Sure we ought to, the old woman said, and I'm ashamed I don't speak the language myself. I'm told it's a grand language by them that knows. —Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill us out some more tea ...
... Sure we ought to, the old woman said, and I'm ashamed I don't speak the language myself. I'm told it's a grand language by them that knows. —Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill us out some more tea ...
Sida 25
... that poor old creature came in. —Would I make any money by it? Stephen asked. Haines laughed and, as he took his soft grey hat from the holdfast of the hammock, said: —I don't know, I'm sure. He strolled out to the 25.
... that poor old creature came in. —Would I make any money by it? Stephen asked. Haines laughed and, as he took his soft grey hat from the holdfast of the hammock, said: —I don't know, I'm sure. He strolled out to the 25.
Sida 26
James Joyce. —I don't know, I'm sure. He strolled out to the doorway. Buck Mulligan bent across to Stephen and said with coarse vigour: —You put your hoof in it now. What did you say that for? —Well? Stephen said. The problem is to get ...
James Joyce. —I don't know, I'm sure. He strolled out to the doorway. Buck Mulligan bent across to Stephen and said with coarse vigour: —You put your hoof in it now. What did you say that for? —Well? Stephen said. The problem is to get ...
Sida 53
... sure as we are standing here the jew merchants are already at their work of destruction. Old England is dying. He stepped swiftly off, his eyes coming to blue life as they passed a broad sunbeam. He faced about and back again. —Dying ...
... sure as we are standing here the jew merchants are already at their work of destruction. Old England is dying. He stepped swiftly off, his eyes coming to blue life as they passed a broad sunbeam. He faced about and back again. —Dying ...
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arms asked better bloody Bloom Boylan Buck Mulligan Corny Kelleher cried dark dead Deasy Dedalus Dignam Dollard Dolphin's Barn door Dublin eyes face Father Conmee fellow field figure find fine fingers fire first five flesh FLORRY flow flower gentleman Gerty girl Haines hair hand head hear heart Howth Ireland Irish J. J. O'Molloy Jack Power Kevin Egan kiss lady laughing Lenehan Leopold Leopold Bloom lips look lord LYNCH Martin Cunningham Menton Molly mother mouth Mullingar Myles Crawford Nelson's pillar never night office PADDY DIGNAM passed pocket poor Poulaphouca Red Murray reflection round says Alf says Joe says the citizen shillings Simon Dedalus smiled Stephen Stephen Dedalus street tell There's thing told turned VIRAG voice Wait walked WATCH What's wife woman word young ZINFANDEL