UlyssesThe Floating Press, 1 jan. 2009 - 1023 sidor James Joyce's novel Ulysses is said to be one of the most important works in Modernist literature. It details Leopold Bloom's passage through Dublin on an ordinary day: June 16, 1904. Causing controversy, obscenity trials and heated debates, Ulysses is a pioneering work that brims with puns, parodies, allusions, stream-of-consciousness writing and clever structuring. Modern Library ranked it as number one on its list of the twentieth century's 100 greatest English-language novels and Martin Amis called it one of the greatest novels ever written. |
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Sida 21
... took the milkjug from the locker. —The islanders, Mulligan said to Haines casually, speak frequently of the collector of prepuces. —How much, sir? asked the old woman. —A quart, Stephen said. He watched her pour into the measure and ...
... took the milkjug from the locker. —The islanders, Mulligan said to Haines casually, speak frequently of the collector of prepuces. —How much, sir? asked the old woman. —A quart, Stephen said. He watched her pour into the measure and ...
Sida 31
... it. —Thank you, Stephen said, taking a cigarette. Haines helped himself and snapped the case to. He put it back in his sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang it open too, and, having lit his cigarette, 31.
... it. —Thank you, Stephen said, taking a cigarette. Haines helped himself and snapped the case to. He put it back in his sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang it open too, and, having lit his cigarette, 31.
Sida 46
... . He brought out of his coat a pocketbook bound by a leather thong. It slapped open and he took from it two notes, one of j oined halves, and laid them carefully on the table. —Two, he said, strapping and stowing his pocketbook away. And ...
... . He brought out of his coat a pocketbook bound by a leather thong. It slapped open and he took from it two notes, one of j oined halves, and laid them carefully on the table. —Two, he said, strapping and stowing his pocketbook away. And ...
Sida 73
... took the veil of the temple out of his shovel hat: veil of space with coloured emblems hatched on its field. Hold hard. Coloured on a flat: yes, that's right. Flat I see, then think distance, near, far, flat I see, east, back. Ah, see ...
... took the veil of the temple out of his shovel hat: veil of space with coloured emblems hatched on its field. Hold hard. Coloured on a flat: yes, that's right. Flat I see, then think distance, near, far, flat I see, east, back. Ah, see ...
Sida 76
... took the hilt of his ashplant, lunging with it softly, dallying still. Yes, evening will find itself in me, without me. All days make their end. By the way next when is it Tuesday will be the longest day. Of all the glad new year ...
... took the hilt of his ashplant, lunging with it softly, dallying still. Yes, evening will find itself in me, without me. All days make their end. By the way next when is it Tuesday will be the longest day. Of all the glad new year ...
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arms asked better bloody Bloom Boylan Buck Mulligan Corny Kelleher cried dark dead Deasy Dedalus Dignam Dollard Dolphin's Barn door Dublin eyes face Father Conmee fellow field figure find fine fingers fire first five flesh FLORRY flow flower gentleman Gerty girl Haines hair hand head hear heart Howth Ireland Irish J. J. O'Molloy Jack Power Kevin Egan kiss lady laughing Lenehan Leopold Leopold Bloom lips look lord LYNCH Martin Cunningham Menton Molly mother mouth Mullingar Myles Crawford Nelson's pillar never night office PADDY DIGNAM passed pocket poor Poulaphouca Red Murray reflection round says Alf says Joe says the citizen shillings Simon Dedalus smiled Stephen Stephen Dedalus street tell There's thing told turned VIRAG voice Wait walked WATCH What's wife woman word young ZINFANDEL