Shakespeare's Early TragediesRoutledge, 11 okt. 2013 - 232 sidor First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Sida 6
... character of Pyrrhus . This , it seems to me , is still an important problem in current performances of the plays . The argument about delivery of Shakespearean speech is too often reduced to a crude contrast between the remoteness of ...
... character of Pyrrhus . This , it seems to me , is still an important problem in current performances of the plays . The argument about delivery of Shakespearean speech is too often reduced to a crude contrast between the remoteness of ...
Sida 9
... character ' and ' order ' . About character more than enough has been said in the past forty years . It was a concern of Shake- spearean criticism for the eighteenth century , and the prime concern of the nineteenth . It would be ...
... character ' and ' order ' . About character more than enough has been said in the past forty years . It was a concern of Shake- spearean criticism for the eighteenth century , and the prime concern of the nineteenth . It would be ...
Sida 21
... character of Marcus ' speech , whatever its limitations , is finally to be understood in this translation of the events of the second Act into a thematic statement of the play's formal concern . I have milked the speech pretty well dry ...
... character of Marcus ' speech , whatever its limitations , is finally to be understood in this translation of the events of the second Act into a thematic statement of the play's formal concern . I have milked the speech pretty well dry ...
Sida 26
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Sida 27
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Aaron action already appear becomes blood Bolingbroke Brutus Caesar Cassius character Claudius clear clearly close comedy comes comic complete concern continuous contrast course critical curse death discussed dream earlier echoes effect Elizabethan emblem emerges established experience fact feel felt figure final follows force formal function further ghost give Hamlet hand heaven human idea immediately interest involved irony Juliet kind king later leads least less lines Marcus matter means move murder nature never night obvious once opening pattern play play's poetic political presented prose Queen question reason reference revenge rhetorical Richard Richard II Roman Romeo scene seems seen sense Shakespeare significance simple soliloquy speech stage stress structure suggested thee theme thing thou thought Titus Titus Andronicus tone tragedy tragic true utterance verse whole