Shakespeare's Early TragediesRoutledge, 11 okt. 2013 - 232 sidor First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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... functional in the plays , its recognition as a fully viable dramatic medium might be more confidently established . It is also clear , and had been so to dra- matists before Shakespeare took it up ( to Marlowe most notably ) that emblem ...
... functional in the plays , its recognition as a fully viable dramatic medium might be more confidently established . It is also clear , and had been so to dra- matists before Shakespeare took it up ( to Marlowe most notably ) that emblem ...
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... function would have been clear , if the speech could have been labelled ' chorus ' , and allowed a divine knowledge of all events . As it is , the speech is not only partially disguised as dramatic utterance ( the disguise is more ...
... function would have been clear , if the speech could have been labelled ' chorus ' , and allowed a divine knowledge of all events . As it is , the speech is not only partially disguised as dramatic utterance ( the disguise is more ...
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... function is to develop a major theme out of the central action ; in this it resembles Clarence's dream of human guilt , the slimy bottom of the deep , in Richard III . But it is evident , here , that the use of poetry that Shakespeare ...
... function is to develop a major theme out of the central action ; in this it resembles Clarence's dream of human guilt , the slimy bottom of the deep , in Richard III . But it is evident , here , that the use of poetry that Shakespeare ...
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... function , not mere inexperience . Rome has always for Shakespeare the emotive suggestion of political greatness , and also of political curiosity : his interest in a society different from Tudor England is manifest here in the ...
... function , not mere inexperience . Rome has always for Shakespeare the emotive suggestion of political greatness , and also of political curiosity : his interest in a society different from Tudor England is manifest here in the ...
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Aaron action already appear becomes blood Bolingbroke Brutus Caesar Cassius character Claudius clear clearly close comedy comes comic complete concern continuous contrast course critical curse death discussed dream earlier echoes effect Elizabethan emblem emerges established experience fact feel felt figure final follows force formal function further ghost give Hamlet hand heaven human idea immediately interest involved irony Juliet kind king later leads least less lines Marcus matter means move murder nature never night obvious once opening pattern play play's poetic political presented prose Queen question reason reference revenge rhetorical Richard Richard II Roman Romeo scene seems seen sense Shakespeare significance simple soliloquy speech stage stress structure suggested thee theme thing thou thought Titus Titus Andronicus tone tragedy tragic true utterance verse whole