FARRE in the countrey of Arden, He had, as antique stories tell, The silke well couth she twist and twine, And with the needle werke: And sing a psalme in kirke. She ware a frock of frolicke greene, A hood to that so neat and fine, Her features all as fresh above, Her skin as soft as Lemster wooll, This mayden in a morne betime To deck her summer hall. Thus, as she wandred here and there, She chanced to espie A shepheard sitting on a bancke, He lear'd his sheepe as he him list, In favour this same shepheards swayne Whom his lewd brother slaw. The shepheard ware a sheepe-gray cloke, That could he cut with sheere: His hood of meniveere. His aule and lingell in a thong, And pyping still he spent the day, Which liked Dowsabel: That would she ought, or would she nought, At length she tucked up her frocke, She drew the shepheard nye; But then the shepheard pyp'd a good, To heare his melodye. Alluding to "Tamburlaine the great, or the Scythian Shepheard," 1590, 8vo., an old ranting play ascribed to Marlowe. 2 Sc. Abel. Thy sheepe, quoth she, cannot be leane, Yea but, sayth he, their shepheard may, In love of Dowsabel. Of love, fond boy, take thou no keepe, With that she gan to vaile her head, With that the shepheard gan to frowne, My coate, sayth he, nor yet my foulde Sayth she, Yet lever were I dead, Sayth he, Yet are you too unkind, And I to thee will be as kinde, Of curtesie the flower. Then will I be as true, quoth she, As ever mayden yet might be · Unto her paramour. With that she bent her snow-white knee, Down by the shepheard kneeled shee, And him she sweetely kist: With that the shepheard whoop'd for joy, Quoth he, Ther's never shepheards boy That ever was so blist. VIII. THE FAREWELL TO LOVE From Beaumont and Fletcher's play, entitled "The Lover's Progress," act iii. sc. I. ADIEU, fond love, farewell you wanton powers; Thou dull disease of bloud and idle hours, Fly to fools, that sigh away their time: That time can ne'er corrupt, nor death destroy, And honoured by eternity and joy : There lies my love, thither my hopes aspire, IX. ULYSSES AND THE SYREN This affords a pretty poetical contest between pleasure and honour. It is found at the end of " Hymen's triumph: a pastoral tragicomedie," written by Daniel, and printed among his works, 4to. 1623.1 Daniel, who was a contemporary of Drayton's, and is said to have been poet laureat to Queen Elizabeth, was born in 1562, and died in 1619. Anne Countess of Dorset, Pembroke, and Montgomery (to whom Daniel had been tutor), has inserted a small portrait of him in a full length picture of herself, preserved at Appleby Castle, in Cumberland. This little poem is the rather selected for a specimen of Daniel's poetic powers, as it is omitted in the later edition of his works, 2 vols. 12mo. 1718. SYREN COME, worthy Greeke, Ulysses come, Here may we sit and view their toyle, Enjoy the day in mirth the while, And spende the night in sleepe. 1 In this edition it is collated with a copy printed at the end of his "Tragedie of Cleopatra." London, 1607, 12m0. ULYSSES Faire nymph, if fame or honour were Then I would come and rest with thee, SYREN Ulysses, O be not deceiv'd Our peace, and to beguile ULYSSES Delicious nymph, suppose there were Yet manlinesse would scorne to weare And ease findes tediousnes, as much SYREN Then pleasure likewise seemes the shore, Who may disport them diversly, Find never tedious day; And ease may have variety, ULYSSES But natures of the noblest frame These toyles and dangers please; And they take comfort in the same, As much as you in ease: |