Changing Tunes: The Use of Pre-existing Music in Film

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Phil Powrie, Robynn Jeananne Stilwell
Ashgate Publishing, Ltd., 2006 - 205 sidor
The contributors in this volume discuss the use of pre-existing classical and popular music in film, focusing on a diverse range of case-study examples including Kubrick's '2001', 'Godfather III', 'Brief Encounter', 'Pulp Fiction' and 'Trainspotting'.
 

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Aside from the essays I found useful for thinking about vidding, there was a neat piece by Raymond Knapp about music in Frankenstein movies, including Young Frankenstein, which discussed the ... Läs hela recensionen

Innehåll

Kubricks Music
3
The Fabulous Destiny of the Accordion in French Cinema
10
Using Classical Music in Film
19
Bizets Carmen and the Cinema
46
The Troll Among
74
The Bolero Camp and Almodóvar
91
Music Electricity and the Sweet Mystery of Life
105
The Popular Song as Leitmotif in 1990s Film
119
The Record as Ritual Object in Girls
152
The Pop Video in the Age of the Sampler
167
Filmography
180
Bibliography
188
Index
199
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Om författaren (2006)

Phil Powrie is Professor at the Centre for Research into Film & Media, University of Newcastle upon Tyne, UK. Robynn Stilwell is Assistant Professor at the Department of Art, Music and Theater, Georgetown University, USA.

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