Women and the War StoryUniversity of California Press, 1 sep. 2023 - 309 sidor In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative—and with it the way we think about and conduct war—can be changed. As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions—home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat—that have framed, and ultimately promoted, war. |
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... soldiers will protect us ; they are in charge . We know this because although they are at their tank's phallic gun thrusts out aggressively from the epicenter of the image ; it fills the vision ; it is pointed at us , between the eyes ...
... soldiers will protect us ; they are in charge . We know this because although they are at their tank's phallic gun thrusts out aggressively from the epicenter of the image ; it fills the vision ; it is pointed at us , between the eyes ...
Sida 21
... soldiers " lined up in organized rows ; this picture seems to hark back to much earlier pictures of marching and victorious soldiers ( 15 , 105 ) , but these men look more disciplined ( Fig . 9 ) . The third photo assures us that things ...
... soldiers " lined up in organized rows ; this picture seems to hark back to much earlier pictures of marching and victorious soldiers ( 15 , 105 ) , but these men look more disciplined ( Fig . 9 ) . The third photo assures us that things ...
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... soldiers ( 15 ) , soon women disappear from photographs depicting anything that might be construed to be the front . A bizarre exception is the image of an image of a woman : after a shoot - out in the Basta market all we can see are ...
... soldiers ( 15 ) , soon women disappear from photographs depicting anything that might be construed to be the front . A bizarre exception is the image of an image of a woman : after a shoot - out in the Basta market all we can see are ...
Sida 24
... soldiers , the Lebanese sniper cannot be glorified . His job is to be alone , not to cohere with the group . The sniper is the quintessential symbol of anarchy , for his assignment is not to kill the enemy but rather to sow terror by ...
... soldiers , the Lebanese sniper cannot be glorified . His job is to be alone , not to cohere with the group . The sniper is the quintessential symbol of anarchy , for his assignment is not to kill the enemy but rather to sow terror by ...
Sida 31
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Innehåll
11 | |
Culture Degree Zero | 66 |
Silence Is the Real Crime | 116 |
Talking Democracy | 165 |
Flames of Fire in Qadisiya | 218 |
Reimagining Lebanon | 265 |
Conclusion | 289 |
Notes | 299 |
Cited Works | 321 |
Index | 347 |
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Afaf Algerian women American Arab women Assia Djebar become Beirut binary body bombs calls civilian colonial combat critic cultural death describes discourse Djebar enemy experience fact Farah father fear feel feminist fiction fighters fighting French front gender Gulf Gulf War Hammudi heroine husband Ibrahim identity images individual Intifada Iraq Iraq-Iran War Iraqi Israel Israeli Kateb Yacine Khalifa Khalil killed Klaus Theweleit land Layla Lazreg Lebanese civil war Lebanon literary literature lives Mahmud Darwish male martyrs masculinity men's military mother Nablus Nafissa narrator nation nationalist Nedjma novel Nuzha Palestinian women participation peace poet political postcolonial postmodern protagonist rape Rashid reality resistance revolution revolutionary role Sa'adiya Saddam Saddam Hussein Sahar Khalifa short stories silence social society soldiers space struggle survive symbol tell Theweleit tion transformation Tuqan turn victory Vietnam violence voice War Story wars woman women writers writes written wrote Yasir