From Harlem to Paris: Black American Writers in France, 1840-1980University of Illinois Press, 1991 - 358 sidor This plodding, academic study uses accounts from more than 60 African American writers--Countee Cullen, James Baldwin, Chester Himes et al.--to explain why they were more readily accepted socially in Paris than in America. Fabre ( The Unfinished Quest of Richard Wright ) shows that French/black American affinity started in pre-Civil War New Orleans (and not, as the title suggests, in Harlem), when illegitimate mulattos with inheritances from French slave-owners sent their children to Paris to be educated. The book concludes that acceptance and appreciation of black Americans were based largely of French distaste both for white Americans, whom the French found egotistical, and for black Africans, with whom the French had a bitter "mutual colonial history." |
Innehåll
Introduction | 1 |
The New Orleans Connection | 9 |
Preachers and Abolitionists | 22 |
Upphovsrätt | |
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From Harlem to Paris: Black American Writers in France, 1840-1980 Michel Fabre Begränsad förhandsgranskning - 1991 |
From Harlem to Paris: Black American Writers in France, 1840-1980 Michel Fabre Fragmentarisk förhandsgranskning - 1991 |
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