Making Men: Gender, Literary Authority, and Women's Writing in Caribbean NarrativeDuke University Press, 1999 - 229 sidor Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked--and relocated--to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States. Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson's search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition. With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women's studies, and Caribbean literature. |
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Sida 83
... body has “ erased a final act of scriptorial obedience " links this final writing act to Lucy's earlier im- prisonment within the master narratives of colonialist discourse , repre- sented first by her schoolgirl recitations of ...
... body has “ erased a final act of scriptorial obedience " links this final writing act to Lucy's earlier im- prisonment within the master narratives of colonialist discourse , repre- sented first by her schoolgirl recitations of ...
Sida 108
... body of the black woman becomes a threat to entrenched ideas of masculine patriarchal authority and dominance . Consequently , she must be " buried " in the new mediation between colonizer and newly decolonized subject . 10 The best ...
... body of the black woman becomes a threat to entrenched ideas of masculine patriarchal authority and dominance . Consequently , she must be " buried " in the new mediation between colonizer and newly decolonized subject . 10 The best ...
Sida 117
... body would seem to be the logical choice as the central symbol of the female body as political weapon , having suffered the historical victimage of institutionalized rape at the hands of white male slave owners , it is significant , if ...
... body would seem to be the logical choice as the central symbol of the female body as political weapon , having suffered the historical victimage of institutionalized rape at the hands of white male slave owners , it is significant , if ...
Innehåll
Englishness Blackness | 19 |
Literary Men and the English Canonical Tradition | 38 |
The Crisis of Literary | 58 |
Upphovsrätt | |
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Making Men: Gender, Literary Authority, and Women's Writing in Caribbean ... Belinda Edmondson Begränsad förhandsgranskning - 1999 |
Making Men: Gender, Literary Authority, and Women's Writing in Caribbean ... Belinda Edmondson Fragmentarisk förhandsgranskning - 1999 |
Making Men: Gender, Literary Authority, and Women's Writing in Caribbean ... Belinda Edmondson Ingen förhandsgranskning - 1999 |
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aesthetic African American anglophone argues argument associated attempts authority become body Brathwaite British Caliban called canon Caribbean century chapter character civilization claim colonial context creole critical culture define desire discourse discussion emphasis England English essential European exile experience fact female feminism feminist fiction figure gender idea identity immigrant important intellectual islands issue Jamaica James Lamming Lamming's land language linked literary literature London Lucy male masculine meaning middle Miranda mother Naipaul narrative nationalist natural Negro never notes novel origins particular play political position problem question quoted race racial rape reading references region relation relationship represents revolutionary role scholar sense slave social society space specifically status story suggests symbol Teeton theory tion tradition United University Press V. S. Naipaul Victorian West Indian West Indies woman women World writing York
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