Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era

action Active actor aesthetic experience appearance argues argument artist attention audience awareness beautiful becomes believe calls chapter character Coleridge Coleridge's comedy comic completely concept concern consciousness contrast critics defined delusion describes developed dialogue Diderot discussion drama dramatic illusion dream effects emotional engage excitement explain faith feelings fiction follow give Goethe Hugo human ideal ideas imagination imitation involves irony judgment language lecture Lessing manner means Mendelssohn merely mind moral nature object observes opening paradox passions perception perfect performance play players playwright pleasure plot poet poetic poetry possible present produce provides rational reality reason refers representation represented requires response reveals role Romantic scene Schlegel seems senses sensual setting Shakespeare spectator stage tells theater theatrical theory thing Tieck tion tragedy tragic true truth turn understanding Werke