Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era

actor aesthetic experience aesthetic illusion Alvar Amy Robsart appearance argues argument Arnim artist attention audience beautiful Biographia Literaria Brentano character Clemens Brentano Coleridge Coleridge's comedy comic conjuring consciousness contrast critics delusion dialogue Dichter Diderot disguise disrupt dramatic illusion dream effects emotional response ence engage essay Euripedes excitement fantasy Faust feelings fiction fictive Friedrich Schlegel Goethe grotesque Hamlet Hernani Hugo Hugo's Ibid illu illusory imagination imitation irony judgment Kunst lecture Les Burgraves Lessing Lessing's Ludwig Tieck Macbeth magic Mendelssohn metadramatic mind moral nature Nicolai object observes Ordonio paradox passions perception perfect illusion performance play players playwright pleasure plot poet poetic faith poetry reality reason representation reveals role Romantic Ruy Blas Samuel Taylor Coleridge scene Schlegel Schriften senses sensual setting Shakespeare sion spectator stage illusion Stendhal supernatural suspension of disbelief sympathy Täuschung Teresa theater théâtre theatrical Tieck tion tragedy tragic truth unity Vorlesungen Wahrheit Werke