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[Picture of War.]

Spirit of light and life! when battle rears
Her fiery brow and her terrific spears;
When red-mouthed cannon to the clouds uproar,
And gasping thousands make their beds in gore,
While on the billowy bosom of the air
Roll the dead notes of anguish and despair!
Unseen, thou walk'st upon the smoking plain,
And hear'st each groan that gurgles from the slain!
List! war-peals thunder on the battle-field;

And many a hand grasps firm the glittering shield,
As on, with helm and plume, the warriors come,
And the glad hills repeat their stormy drum!
And now are seen the youthful and the gray,
With bosoms firing to partake the fray;
The first, with hearts that consecrate the deed,
All eager rush to vanquish or to bleed !
Like young waves racing in the morning sun,
That rear and leap with reckless fury on!

But mark yon war-worn man, who looks on high,
With thought and valour mirrored in his eye!
Not all the gory revels of the day
Can fright the vision of his home away;
The home of love, and its associate smiles,
His wife's endearment, and his baby's wiles:
Fights he less brave through recollected bliss,
With step retreating, or with sword remiss?
Ah no! remembered home's the warrior's charm,
Speed to his sword, and vigour to his arm;
For this he supplicates the god afar,

Fronts the steeled foe, and mingles in the war!

The cannon's hushed!-nor drum, nor clarion sound;
Helmet and hauberk gleam upon the ground;
Horseman and horse lie weltering in their gore;
Patriots are dead, and heroes dare no more;
While solemnly the moonlight shrouds the plain,
And lights the lurid features of the slain!

And see! on this rent mound, where daisies sprung,
A battle-steed beneath his rider flung;
Oh! never more he'll rear with fierce delight,
Roll his red eyes, and rally for the fight!
Pale on his bleeding breast the warrior lies,
While from his ruffled lids the white swelled eyes
Ghastly and grimly stare upon the skies!

Afar, with bosom bared unto the breeze,
White lips, and glaring eyes, and shivering knees,
A widow o'er her martyred soldier moans,
Loading the night-wind with delirious groans!
Her blue-eyed babe, unconscious orphan he!
So sweetly prattling in his cherub glee,
Leers on his lifeless sire with infant wile,
And plays and plucks him for a parent's smile!

But who, upon the battle-wasted plain,
Shall count the faint, the gasping, and the slain?
Angel of Mercy! ere the blood-fount chill,
And the brave heart be spiritless and still,
Amid the havoc thou art hovering nigh,
To calm each groan, and close each dying eye,
And waft the spirit to that halcyon shore,
Where war's loud thunders lash the winds no more!

Lost Feelings.

Oh! weep not that our beauty wears
Beneath the wings of Time;
That age o'erclouds the brow with cares
That once was raised sublime.

Oh! weep not that the beamless eye
No dumb delight can speak;
And fresh and fair no longer lie
Joy-tints upon the cheek.

No! weep not that the ruin-trace

Of wasting time is seen,
Around the form and in the face
Where beauty's bloom has been.
But mourn the inward wreck we feel
As hoary years depart,

And Time's effacing fingers steal
Young feelings from the heart!

WILLIAM HERBERT.

The HON. and REV. WILLIAM HERBERT published in 1806 a series of translations from the Norse, Italian, Spanish, and Portuguese. Those from the Norse, or Icelandic tongue, were generally admired, and the author was induced to venture on an original poem founded on Scandinavian history and manners. The work was entitled Helga, and was published in 1815. We extract a few lines descriptive of a northern spring, bursting out at once into verdure:

Yestreen the mountain's rugged brow
Was mantled o'er with dreary snow;
The sun set red behind the hill,
And every breath of wind was still;
But ere he rose, the southern blast
A veil o'er heaven's blue arch had cast;
Thick rolled the clouds, and genial rain
Poured the wide deluge o'er the plain.
Fair glens and verdant vales appear,
And warmth awakes the budding year.
O'tis the touch of fairy hand

That wakes the spring of northern land!
It warms not there by slow degrees,
With changeful pulse, the uncertain breeze;
But sudden on the wondering sight
Bursts forth the beam of living light,
And instant verdure springs around,
And magic flowers bedeck the ground.
Returned from regions far away,
The red-winged throstle pours his lay;
The soaring snipe salutes the spring,
While the breeze whistles through his wing;
And, as he hails the melting snows,
The heathcock claps his wings and crows.

After a long interval of silence Mr Herbert came forward in 1838 with an epic poem entitled Attila, founded on the establishment of Christianity by the discomfiture of the mighty attempt of the Gothic king to establish a new antichristian dynasty upon the wreck of the temporal power of Rome at the end of the term of 1200 years, to which its duration had been limited by the forebodings of the heathens.

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Where are ye gone, And shall we wake from the long sleep of death, To know each other, conscious of the ties That linked our souls together, and draw down The secret dewdrop on my cheek, whene'er I turn unto the past? or will the change That comes to all renew the altered spirit To other thoughts, making the strife or love Of short mortality a shadow past, Equal illusion Father, whose strong mind Was my support, whose kindness as the spring Which never tarries! Mother, of all forms That smiled upon my budding thoughts, most dear! Brothers! and thou, mine only sister! gone To the still grave, making the memory Of all my earliest time a thing wiped out, Save from the glowing spot, which lives as fresh In my heart's core as when we last in joy Were gathered round the blithe paternal board! Where are ye? Must your kindred spirits sleep For many a thousand years, till by the trump Roused to new being? Will old affections then Burn inwardly, or all our loves gone by Seem but a speck upon the roll of time, Unworthy our regard? This is too hard For mortals to unravel, nor has He Vouchsafed a clue to man, who bade us trust To Him our weakness, and we shall wake up After His likeness, and be satisfied.

EBENEZER ELLIOTT.

EBENEZER ELLIOTT, sprung from the manufacturing poor of England, and early accustomed to toil and privation, derived, like Clare, a love of poetry from the perusal of Thomson. Being thrown among a town population, he became a politician, and imbibed opinions rarely found among the peasantry.

Ebenezer Elliott.

He has followed Crabbe in depicting the condition of the poor as miserable and oppressed, tracing most of the evils he deplores to the social and political institutions of his country. The laws relating to the importation of corn have been denounced by Elliott as specially afflictive of the people, and this he has done with a fervour of manner and a harshness of phraseology, which ordinary minds feel as repulsive, even while acknowledged as flowing from the offended benevolence of the poet.

For thee, my country, thee, do I perform,
Sternly, the duty of a man born free,
Heedless, though ass, and wolf, and venomous worm,
Shake ears and fangs, with brandished bray, at me.

Fortunately the genius of Elliott has redeemed his errors of taste: his delineation of humble virtue and affection, and his descriptions of English scenery, are excellent. He writes from genuine feelings and impulses, and often rises into pure sentiment and eloquence. The Corn-Law Rhymer, as he has been called, was born in 1781 at Masbrough, a village near Sheffield. He has passed an industrious youth and middle age in a branch of the well known manufactures of his native district, from which manual toil was not in his case excluded; and he now enjoys the comparatively easy circumstances merited by his labours as well as his genius.

To the Bramble Flower.

Thy fruit full well the schoolboy knows,
Wild bramble of the brake!

So put thou forth thy small white rose ;
I love it for his sake.
Though woodbines flaunt and roses glow
O'er all the fragrant bowers,
Thou needst not be ashamed to show
Thy satin-threaded flowers;
For dull the eye, the heart is dull,
That cannot feel how fair,
Amid all beauty beautiful,
Thy tender blossoms are!
How delicate thy gauzy frill!

How rich thy branchy stem!

How soft thy voice when woods are still,
And thou sing'st hymns to them;
While silent showers are falling slow,
And 'mid the general hush,

A sweet air lifts the little bough,
Lone whispering through the bush!
The primrose to the grave is gone;
The hawthorn flower is dead;
The violet by the mossed gray stone
Hath laid her weary head;

But thou, wild bramble! back dost bring

In all their beauteous power,

The fresh green days of life's fair spring,

And boyhood's blossomy hour.

Scorned bramble of the brake! once more
Thou bidd'st me be a boy,

To gad with thee the woodlands o'er,
In freedom and in joy.

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The Excursion.

Bone-weary, many-childed, trouble-tried!
Wife of my bosom, wedded to my soul!

Mother of nine that live, and two that died!

This day, drink health from nature's mountain bowl;
Nay, why lament the doom which mocks control?
The buried are not lost, but gone before.
Then dry thy tears, and see the river roll
O'er rocks, that crowned yon time-dark heights of yore,
Now, tyrant like, dethroned, to crush the weak no more,
The young are with us yet, and we with them:
O thank the Lord for all he gives or takes-
The withered bud, the living flower, or gem!
And he will bless us when the world forsakes!
Lo! where thy fisher-born, abstracted, takes,
With his fixed eyes, the trout he cannot see!
Lo! starting from his earnest dream, he wakes!
While our glad Fanny, with raised foot and knee,
Bears down at Noe's side the bloom-bowed hawthorn

tree.

Dear children! when the flowers are full of bees;
When sun-touched blossoms shed their fragrant snow;
When song speaks like a spirit, from the trees
Whose kindled greenness hath a golden glow;
When, clear as music, rill and river flow,
With trembling hues, all changeful, tinted o'er
By that bright pencil which good spirits know
Alike in earth and heaven-'tis sweet, once more,
Above the sky-tinged hills to see the storm-bird soar.
'Tis passing sweet to wander, free as air,

Blithe truants in the bright and breeze-blessed day,
Far from the town-where stoop the sons of care
O'er plans of mischief, till their souls turn gray,
And dry as dust, and dead-alive are they—
Of all self-buried things the most unblessed:
O Morn! to them no blissful tribute pay!
O Night's long-courted slumbers! bring no rest
To men who laud man's foes, and deem the basest

best!

God! would they handcuff thee? and, if they could
Chain the free air, that, like the daisy, goes
To every field; and bid the warbling wood
Exchange no music with the willing rose

For love-sweet odours, where the woodbine blows
And trades with every cloud, and every beam
Of the rich sky! Their gods are bonds and blows,
Rocks, and blind shipwreck; and they hate the

stream

That leaves them still behind, and mocks their changeless dream.

They know ye not, ye flowers that welcome me,
Thus glad to meet, by trouble parted long!
They never saw ye-never may they see
Your dewy beauty, when the throstle's song
Floweth like starlight, gentle, calm, and strong!
Still, Avarice, starve their souls! still, lowest Pride,
Make them the meanest of the basest throng!
And may they never, on the green hill's side,
Embrace a chosen flower, and love it as a bride!
Blue Eyebright!* loveliest flower of all that grow
In flower-loved England! Flower, whose hedge-side

gaze

Is like an infant's! What heart doth not know
Thee, clustered smiler of the bank! where plays
The sunbeam with the emerald snake, and strays
The dazzling rill, companion of the road
Which the lone bard most loveth, in the days
When hope and love are young? O come abroad,
Blue Eyebright! and this rill shall woo thee with an
ode.

Awake, blue Eyebright, while the singing wave
Its cold, bright, beauteous, soothing tribute drops
From many a gray rock's foot and dripping cave;
While yonder, lo, the starting stone-chat hops!
While here the cottar's cow its sweet food crops;
While black-faced ewes and lambs are bleating there;
And, bursting through the briers, the wild ass stops-
Kicks at the strangers-then turns round to stare-
Then lowers his large red ears, and shakes his long
dark hair.

[Pictures of Native Genius.]

O faithful love, by poverty embraced!
Thy heart is fire, amid a wintry waste;
Thy joys are roses, born on Hecla's brow;
Thy home is Eden, warm amid the snow;
And she, thy mate, when coldest blows the storm,
Clings then most fondly to thy guardian form;
E'en as thy taper gives intensest light,
When o'er thy bowed roof darkest falls the night.
Oh, if thou e'er hast wronged her, if thou e'er
From those mild eyes hast caused one bitter tear
*The Geornander Speedwell.

To flow unseen, repent, and sin no more!
For richest gems compared with her, are poor;
Gold, weighed against her heart, is light-is vile;
And when thou sufferest, who shall see her smile?
Sighing, ye wake, and sighing, sink to sleep,
And seldom smile, without fresh cause to weep;
(Scarce dry the pebble, by the wave dashed o'er,
Another comes, to wet it as before);
Yet while in gloom your freezing day declines,
How fair the wintry sunbeam when it shines!
Your foliage, where no summer leaf is seen,
Sweetly embroiders earth's white veil with green;
And your broad branches, proud of storm-tried
strength,

Stretch to the winds in sport their stalwart length,
And calmly wave, beneath the darkest hour,
The ice-born fruit, the frost-defying flower.
Let luxury, sickening in profusion's chair,
Unwisely pamper his unworthy heir,

And, while he feeds him, blush and tremble too!
But love and labour, blush not, fear not you!
Your children (splinters from the mountain's side),
With rugged hands, shall for themselves provide.
Parent of valour, cast away thy fear!

Mother of men, be proud without a tear!
While round your hearth the wo-nursed virtues move,
And all that manliness can ask of love;
Remember Hogarth, and abjure despair;
Remember Arkwright, and the peasant Clare.
Burns, o'er the plough, sung sweet his wood-notes wild,
And richest Shakspeare was a poor man's child.
Sire, green in age, mild, patient, toil-inured,
Endure thine evils as thou hast endured.
Behold thy wedded daughter, and rejoice!
Hear hope's sweet accents in a grandchild's voice!
See freedom's bulwarks in thy sons arise,
And Hampden, Russell, Sidney, in their eyes!
And should some new Napoleon's curse subdue
All hearths but thine, let him behold them too,
And timely shun a deadlier Waterloo.

Northumbrian vales! ye saw, in silent pride,
The pensive brow of lowly Akenside,
When, poor, yet learned, he wandered young and free,
And felt within the strong divinity.

Scenes of his youth, where first he wooed the Nine,
His spirit still is with you, vales of Tyne!
As when he breathed, your blue-belled paths along,
The soul of Plato into British song.

Born in a lowly hut an infant slept,
Dreamful in sleep, and, sleeping, smiled or wept:
Silent the youth-the man was grave and shy:
His parents loved to watch his wondering eye:
And lo! he waved a prophet's hand, and gave,
Where the winds soar, a pathway to the wave!
From hill to hill bade air-hung rivers stride,
And flow through mountains with a conqueror's pride:
O'er grazing herds, lo! ships suspended sail,
And Brindley's praise hath wings in every gale!

The worm came up to drink the welcome shower; The redbreast quaffed the raindrop in the bower; The flaskering duck through freshened lilies swam ; The bright roach took the fly below the dam; Ramped the glad colt, and cropped the pensile spray; No more in dust uprose the sultry way; The lark was in the cloud; the woodbine hung More sweetly o'er the chaffinch while he sung; And the wild rose, from every dripping bush, Beheld on silvery Sheaf the mirrored blush; When calmly seated on his panniered ass, Where travellers hear the steel hiss as they pass, A milkboy, sheltering from the transient storm, Chalked, on the grinder's wall, an infant's form; Young Chantrey smiled; no critic praised or blamed; And golden promise smiled, and thus exclaimed:Go, child of genius! rich be thine increase; Go-be the Phidias of the second Greece!'

[Apostrophe to Futurity.]

Ye rocks! ye elements! thou shoreless main,
In whose blue depths, worlds, ever voyaging,
Freighted with life and death, of fate complain.
Things of immutability! ye bring

Thoughts that with terror and with sorrow wring
The human breast. Unchanged, of sad decay
And deathless change ye speak, like prophets old,
Foretelling evil's ever-present day;
And as when Horror lays his finger cold
Upon the heart in dreams, appal the bold.
O thou Futurity! our hope and dread,
Let me unveil thy features, fair or foul!
Thou who shalt see the grave untenanted,
And commune with the re-embodied soul!
Tell me thy secrets, ere thy ages roll

Their deeds, that yet shall be on earth, in heaven,
And in deep hell, where rabid hearts with pain
Must purge their plagues, and learn to be forgiyen!
Show me the beauty that shall fear no stain,
And still, through age-long years, unchanged remain !
As one who dreads to raise the pallid sheet
Which shrouds the beautiful and tranquil face
That yet can smile, but never more shall meet,
With kisses warm, his ever fond embrace;
So I draw nigh to thee, with timid pace,
And tremble, though I long to lift thy veil.

A Poet's Prayer.

Almighty Father! let thy lowly child,
Strong in his love of truth, be wisely bold-
A patriot bard, by sycophants reviled,
Let him live usefully, and not die old!
Let poor men's children, pleased to read his lays,
Love, for his sake, the scenes where he hath been.
And when he ends his pilgrimage of days,
Let him be buried where the grass is green,
Where daisies, blooming earliest, linger late
To hear the bee his busy note prolong;
There let him slumber, and in peace await
The dawning morn, far from the sensual throng,
Who scorn the windflower's blush, the redbreast's lonely
song.

MRS NORTON,

The family of Sheridan has been prolific of genius, and MRS NORTON, granddaughter of Richard Brinsley, has well sustained the family honours. Caroline Elizabeth Sarah Sheridan was, at the age of nineteen, married to the Honourable George Chapple Norton, brother to Lord Grantley, and himself a police magistrate in London. This union was dissolved in 1840, after Mrs Norton had been the object of suspicion and persecution of the most painful description. In her seventeenth year, this lady had composed her poem, The Sorrows of Rosalie, a pathetic story of village life. Her next work was a poem founded on the ancient legend of the Wandering Jew, which she termed The Undying One. A third volume appeared from her pen in 1840, entitled The Dream, and other Poems. This lady,' says a writer in the Quarterly Review, is the Byron of our modern poetesses. She has very much of that intense personal passion by which Byron's poetry is distinguished from the larger grasp and deeper communion with man and nature of Wordsworth. She has also Byron's beautiful intervals of tenderness, his strong practical thought, and his forceful expression. It is not an artificial imitation, but a natural parallel.' The truth of this remark, both as to poetical and personal similarity of feeling, will be seen from the following impassioned verses, addressed by Mrs Norton to the Duchess of Sutherland, to whom she has dedicated her poems. The

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simile of the swan flinging aside the turbid drops' from her snowy wing is certainly worthy of Byron.

[To the Duchess of Sutherland.]

Once more, my harp! once more, although I thought
Never to wake thy silent strings again,

A wandering dream thy gentle chords have wrought,
And my sad heart, which long hath dwelt in pain,
Soars, like a wild bird from a cypress bough,
Into the poet's heaven, and leaves dull grief below!
And unto thee-the beautiful and pure-

Whose lot is cast amid that busy world
Where only sluggish Dulness dwells secure,

And Fancy's generous wing is faintly furled; To thee-whose friendship kept its equal truth Through the most dreary hour of my embittered youth

I dedicate the lay. Ah! never bard,

In days when poverty was twin with song;
Nor wandering harper, lonely and ill-starred,
Cheered by some castle's chief, and harboured long;
Not Scott's Last Minstrel, in his trembling lays,
Woke with a warmer heart the earnest meed of praise!
For easy are the alms the rich man spares
To sons of Genius, by misfortune bent;
But thou gav'st me, what woman seldom dares,
Belief in spite of many a cold dissent-
When, slandered and maligned, I stood apart
From those whose bounded power hath wrung, not
crushed, my heart.

Thou, then, when cowards lied away my name,
And scoffed to see me feebly stem the tide;
When some were kind on whom I had no claim,
And some forsook on whom my love relied,
And some, who might have battled for my sake,
Stood off in doubt to see what turn the world would
take-

Thou gav'st me that the poor do give the poor,
Kind words and holy wishes, and true tears;
The loved, the near of kin could do no more,

Who changed not with the gloom of varying years,
But clung the closer when I stood forlorn,
And blunted Slander's dart with their indignant scorn.
For they who credit crime, are they who feel

Their own hearts weak to unresisted sin; Memory, not judgment, prompts the thoughts which

steal

O'er minds like these, an easy faith to win; And tales of broken truth are still believed Most readily by those who have themselves deceived. But like a white swan down a troubled stream,

Whose ruffling pinion hath the power to fling Aside the turbid drops which darkly gleam

And mar the freshness of her snowy wingSo thou, with queenly grace and gentle pride, Along the world's dark waves in purity dost glide: Thy pale and pearly cheek was never made

To crimson with a faint false-hearted shame;

Thou didst not shrink-of bitter tongues afraid,

Who hunt in packs the object of their blame; To thee the sad denial still held true, For from thine own good thoughts thy heart its mercy

drew.

And though my faint and tributary rhymes
Add nothing to the glory of thy day,
Yet every poet hopes that after-times

Shall set some value on his votive lay;
And I would fain one gentle deed record,
Among the many such with which thy life is stored.

So when these lines, made in a mournful hour,
Are idly opened to the stranger's eye,
A dream of thee, aroused by Fancy's power,
Shall be the first to wander floating by ;
And they who never saw thy lovely face
Shall pause, to conjure up a vision of its grace!

In The Winter's Walk, a poem written after walking
with Mr Rogers the poet, Mrs Norton has the fol-
lowing brief but graceful and picturesque lines:—
Gleamed the red sun athwart the misty haze
Which veiled the cold earth from its loving gaze,
Feeble and sad as hope in sorrow's hour-
But for thy soul it still had warmth and power;
Not to its cheerless beauty wert thou blind;
To the keen eye of thy poetic mind
Beauty still lives, though nature's flowrets die,
And wintry sunsets fade along the sky!
And nought escaped thee as we strolled along,
Nor changeful ray, nor bird's faint chirping song.
Blessed with a fancy easily inspired,

All was beheld, and nothing unadmired;
From the dim city to the clouded plain,
Not one of all God's blessings given in vain.

The affectionate attachment of Rogers to Sheridan, in his last and evil days, is delicately touched upon by the poetess :

And when at length he laid his dying head
On the hard rest of his neglected bed,
He found (though few or none around him came
Whom he had toiled for in his hour of fame—
Though by his prince unroyally forgot,
And left to struggle with his altered lot)
By sorrow weakened, by disease unnerved-
Faithful at least the friend he had not served:
For the same voice essayed that hour to cheer,
Which now sounds welcome to his grandchild's ear;
And the same hand, to aid that life's decline,
Whose gentle clasp so late was linked in mine.

[Picture of Twilight.]

Oh, twilight! Spirit that dost render birth
To dim enchantments; melting heaven with earth,
Leaving on craggy hills and running streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,

And, though such radiance round him brightly glows,
Marks the small spark his cottage-window throws.
Still as his heart forestalls his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life-
His rosy children and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And these poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turned quietly aside;
But him they wait for, him they welcome home,
Fixed sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
For him those smiles of tenderness and joy,
For him-who plods his sauntering way along,
Whistling the fragment of some village song!

Dear art thou to the lover, thou sweet light,
Fair fleeting sister of the mournful night!
As in impatient hope he stands apart,
Companioned only by his beating heart,
And with an eager fancy oft beholds
The vision of a white robe's fluttering folds.

The Mother's Heart.

When first thou camest, gentle, shy, and fond,
My eldest born, first hope, and dearest treasure,
My heart received thee with a joy beyond

All that it yet had felt of earthly pleasure;
Nor thought that any love again might be
So deep and strong as that I felt for thee.
Faithful and true, with sense beyond thy years,
And natural piety that leaned to heaven;
Wrung by a harsh word suddenly to tears,

Yet patient of rebuke when justly given-
Obedient, easy to be reconciled,

And meekly cheerful-such wert thou, my child.
Not willing to be left: still by my side

Haunting my walks, while summer-day was dying; Nor leaving in thy turn; but pleased to glide

Through the dark room, where I was sadly lying; Or by the couch of pain, a sitter meek, Watch the dim eye, and kiss the feverish cheek. O boy! of such as thou are oftenest made

Earth's fragile idols; like a tender flower, No strength in all thy freshness-prone to fadeStill round the loved, thy heart found force to bind, And bending weakly to the thunder showerAnd clung like woodbine shaken in the wind. Then thou, my merry love, bold in thy glee

Under the bough, or by the firelight dancing, With thy sweet temper and thy spirit free,

Didst come as restless as a bird's wing glancing, Full of a wild and irrepressible mirth, Like a young sunbeam to the gladdened earth! Thine was the shout! the song! the burst of joy! Which sweet from childhood's rosy lip resoundeth; Thine was the eager spirit nought could cloy

And the glad heart from which all grief reboundeth; And many a mirthful jest and mock reply Lurked in the laughter of thy dark-blue eye! And thine was many an art to win and bless, The cold and stern to joy and fondness warming; The coaxing smile the frequent soft caress

The earnest, tearful prayer all wrath disarming! Again my heart a new affection found,

But thought that love with thee had reached its bound. At length thou camest-thou, the last and least,

Nicknamed 'the emperor' by thy laughing brothers, Because a haughty spirit swelled thy breast,

And thou didst seek to rule and sway the others; Mingling with every playful infant wile A mimic majesty that made us smile. And oh! most like a regal child wert thou!

An eye of resolute and successful schemingFair shoulders, curling lip, and dauntless browFit for the world's strife, not for poet's dreaming; And proud the lifting of thy stately head, And the firm bearing of thy conscious tread. Different from both! yet each succeeding claim, I, that all other love had been forswearing, Forthwith admitted, equal and the same; Nor injured either by this love's comparing, Nor stole a fraction for the newer call, But in the mother's heart found room for all.

MRS SOUTHEY.

MRS SQUTHEY (Caroline Bowles) is one of the most pleasing and natural poetesses of the day. She has published various works-Ellen Fitzarthur (1820), The Widow's Tale and other Poems (1822), The Birthday and other Poems (1836), Solitary Hours (1839), &c. The following are excellent both in thought and versification :

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