Takarazuka: Sexual Politics and Popular Culture in Modern Japan

Framsida
University of California Press, 21 juli 1998 - 320 sidor
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The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.

The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways.

Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.
 

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Innehåll

Ambivalence and Popular Culture
25
Staging Androgyny
47
Performing Empire
89
Fan Pathology
139
Writing Fans
177
Epilogue
209
Notes
217
Bibliography
237
Index
265
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Populära avsnitt

Sidan 18 - When the constructed status of gender is theorized as radically independent of sex, gender itself becomes a free-floating artifice, with the consequence that man and masculine might just as easily signify a female body as a male one, and woman and feminine a male body as easily as a female one.
Sidan 38 - For me, therefore, one of the most important aspects of cross-dressing is the way in which it offers a challenge to easy notions of binarity, putting into question the categories of 'female' and 'male', whether they are considered essential or constructed, biological or cultural.
Sidan 39 - the original' . . . reveals the original to be nothing other than a parody of the idea of the natural and the original
Sidan 11 - primary" gender, which is assigned at birth on the basis of an infant's genitalia, secondary gender is based on both physical (but not genital) and sociopsychological criteria; height, physique, facial shape, voice, personality, and, to a certain extent, personal preference.

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Om författaren (1998)

Jennifer Robertson is Professor of Anthropology at the University of Michigan, and author of Native and Newcomer: Making and Remaking a Japanese City (California, 1991).

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