1 And tufts of mountain moss. Mechanic tools A feast before us, and a courteous Host A napkin, white as foam of that rough brook By which it had been bleached, o'erspread the board; And was itself half-covered with a store 2 Of dainties, oaten bread, curd, cheese, and cream; And cakes of butter curiously embossed, Butter that had imbibed from meadow-flowers A golden hue, delicate as their own Faintly reflected in a lingering stream.3 Nor lacked, for more delight on that warm day, And whortle-berries from the mountain side. The Child, who long ere this had stilled his sobs, And moved, a willing Page, as he was bid, In genial mood, While at our pastoral banquet thus we sate To glance an upward look on two huge Peaks, In the wild concert-chiefly when the storm "Those lusty Twins on which your eyes are cast," Exclaimed our Host, "if here you dwelt, would be 1814. * It is generally supposed that the That from some other vale peered into this," are the Langdale Pikes; and it is the most likely supposition. But, if the three were seated, as described, in the upper room of the cottage (which has one small window looking toward the Pikes), they could not possibly see them. Side Pike and Pike o' Blisco alone could be seen. Either then, these are the peaks referred to; or, what is much more likely, the realism of the narrative here gives way; and the far finer pikes of Langdale are introduced-although they are not visible from the house-because they belong to the district, and can be seen from so many points around. The phrases "from some other vale" and "lusty twins" point unmistakably to those two characteristic pikes which "peer" over the crest of the ridge dividing the Langdale valleys. "Let a man," says Dr Cradock, "as he approaches Blea Tarn from Little Langdale, see these slowly rising, and peering alone over the depression (or Haws) which divides the Langdales, and he cannot doubt that they are the 'lusty twins.' Let the Haws be in shadow, and the Pikes in sunlight, or the reverse, and the effect is one of the most striking in all the district." Compare the sonnet, Nov. 1, 1815, beginning— "How clear, how keen, how marvellously bright." - ED. Rides high; then all the upper air they fill So do I call it, though it be the hand Of silence, though there be no voice; the clouds, More keenly than elsewhere in night's blue vault, 1 1827. Music of finer frame; A fall of voice, 1814. *This is strictly accurate. On and about the 21st June, the sun, as seen from Blea Tarn, sets just between the Langdale Pikes.-ED. "Mark how the wind rejoices in these peaks, and they give back its wild pleasure how all the things which touch and haunt them get their reply; how they are loved and love; how busy are the mute agents there; how proud the stars to shine on them." (Stopford Brooke's Theology in the English Poets, p. 108.)-ED. Regretted like the nightingale's last note, Had scarcely closed this high-wrought strain of rapture Ere with inviting smile the Wanderer said:1 "Now for the tale with which you threatened us!" "In truth the threat escaped me unawares: Should the tale tire you, let this challenge stand For my excuse. Dissevered from mankind, As to your eyes and thoughts we must have seemed 2 When ye looked down upon us from the crag, 3 Islanders mid a stormy mountain sea, The Housewife, tempted by such slender gains Opened, as she before had done for me, Her doors to admit this homeless Pensioner ; With brightening face Regretted like the nightingale's last note, Had scarcely closed this high-wrought rhapsody, 1827. Had scarcely closed this strain of thankful rapture, C. And was forgotten. Let this challenge stand Tire your attention.-Outcast and cut off As we seem here, and must have seemed to you, 1814. Which appetite required—a blind dull nook, For spendthrift feats, excesses of his prime. I loved the old Man, for I pitied him! A task it was, I own, to hold discourse With one so slow in gathering up his thoughts, And helpful to his utmost power:2 and there Our housewife knew full well what she possessed! He was her vassal of all labour, tilled Her garden, from the pasture fetched her kine; Of hay-makers, beneath the burning sun So moved he like a shadow that performed "The account given by the 'Solitary,' towards the close of the second book, in all that belongs to the character of the old man, was taken from a Grasmere pauper, who was boarded in the last house quiting the Vale on the road to Ambleside " (I. F. MS.).-ED. |