And sable Morpheus had his curtains spread, DEATH. Stand, who comes here? what means this knave to peepe And sculke abroad, when honest men should sleepe? Speake, what's thy name? and quickly tell me this, Whither thou goest, and what thy bus'ness is? EXCISEMAN. Whate'er my bus'ness is, thou foule-mouth'd scould, I'de have you know I scorn to be controul'd By any man that lives; much less by thou, Who blurtest out thou knowst not what, nor how; I goe about my lawful bus'ness; and I'le make you smarte for bidding of mee stand. DEATH. Imperious cox-combe! is your stomach vext? To chafe your blood, I bid you stand, once more. EXCISEMAN. A writt to take mee up! excuse mee, sir, In publick service, for my private wealth; My bus'ness is, if any seeke by stealth Their falsehood; therefore hold your hand,-give over. DEATH. Nay, fair and soft! 'tis not so quickly done As you conceive it is: I am not gone A jott the sooner, for your hastie chat Nor bragging language; for I tell you flat 'Tis more then so, though fortune seeme to thwart us, EXCISEMAN. I'de laugh at that; I would thou didst but dare To hack thy carkass till my sword was broken, My service to the states is so welle known, That should I but complaine, they'd quickly owne My publicke grievances; and give mee right DEATH. Well said indeed! but bootless all, for I EXCISEMAN. The judgement seate! I must confess that word Doth cut my heart, like any sharpnèd sword: 'Twas least of all my thoughts that ever Death Stay here, I'le bring you gold enough to-morrow. DEATH. To-morrow's gold I will not have; and thou EXCISEMAN. Then woe is mee! ah! how was I befool'd! I thought that gold, (which answereth all things) could me. Oh! that my conscience were but clear within, To shun their practice for their conscience sake. FINIS. London: printed by I. C[larke], 1659. VI. The Messenger of Mortality : Or Life and Death contrasted in a Dialogue betwixt ONE of the most beautiful and plaintive poems of "Elia," (Charles Lamb), was suggested by this old dialogue. The tune is given in Chappell's "National English Airs." In Carey's "Musical Century," 1738, it is called the "Old tune of Death and the Lady." The four concluding lines of the present copy of "Death and the Lady" are found inscribed on tomb-stones in village church-yards in every part of England. They are not, however, contained in an old broadside edition now in the possession of Dr. Rimbault, and with which our reprint has been carefully collated. DEATH. FAIR lady, lay your costly robes aside, LADY. What bold attempt is this? pray let me know To such a pale-fac'd visage? Who art thou? DEATH. Do you not know me? well! I tell thee, then, No pitch of honour from my dart is free; My name is Death! have you not heard of me? LADY. Yes! I have heard of thee time after time, But being in the glory of my prime, |