Gothic Nightmares: Fuseli, Blake and the Romantic ImaginationHarry N. Abrams, 2006 - 224 sidor The 1770s was marked by the emergence of themes of violence, horror and the supernatural in art: the birth of the Gothic. In 1782, the unveiling of Henry Fuseli's painting The Nightmare was met with a mixture of shock and fascination. The cosmic visions of William Blake, the vast, neo-classical history paintings of James Barry and the searing, grotesque caricatures of James Gilray all emerged during a time of political and social upheaval, matched by similarly extreme developments in the literature of the period. While there have been several critical reassessments of Gothic literature in recent years, Gothic Nightmares, which accompanies a groundbreaking exhibition at Tate Britain, will be the first serious consideration of these themes in visual art.Six sections explore individual themes: the Gothic nightmare, examining Fuseli's famous painting in context; the Sublime vision of the Gothic hero, tortured and imprisoned; |
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... reference ) . Psychological interpretations have focused on the painting as an expression of Fuseli's sexual desires and frustrations . The verso shows the unfinished portrait of a woman , associated by a number of commentators with ...
... reference ) . Psychological interpretations have focused on the painting as an expression of Fuseli's sexual desires and frustrations . The verso shows the unfinished portrait of a woman , associated by a number of commentators with ...
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... reference ( Butlin 1990 , no.31 ) . However , the treatment of Hecate does not correspond with traditional interpretations of this figure , nor is there any close correspondence between the present image and these literary allusions ...
... reference ( Butlin 1990 , no.31 ) . However , the treatment of Hecate does not correspond with traditional interpretations of this figure , nor is there any close correspondence between the present image and these literary allusions ...
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... reference . We could find further resonance with Elizabethan and Jacobean witchcraft literature ; the child is a changeling , and thus the subject connects with The Nightmare ( no.1 ) and the range of references that painting mobilised ...
... reference . We could find further resonance with Elizabethan and Jacobean witchcraft literature ; the child is a changeling , and thus the subject connects with The Nightmare ( no.1 ) and the range of references that painting mobilised ...
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Foreword | 6 |
Acknowledgements | 7 |
Somewhere between the Sublime and the Ridiculous Christopher Frayling | 9 |
Upphovsrätt | |
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Gothic Nightmares: Fuseli, Blake and the Romantic Imagination Martin Myrone Ingen förhandsgranskning - 2006 |
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