Gothic Nightmares: Fuseli, Blake and the Romantic ImaginationHarry N. Abrams, 2006 - 224 sidor The 1770s was marked by the emergence of themes of violence, horror and the supernatural in art: the birth of the Gothic. In 1782, the unveiling of Henry Fuseli's painting The Nightmare was met with a mixture of shock and fascination. The cosmic visions of William Blake, the vast, neo-classical history paintings of James Barry and the searing, grotesque caricatures of James Gilray all emerged during a time of political and social upheaval, matched by similarly extreme developments in the literature of the period. While there have been several critical reassessments of Gothic literature in recent years, Gothic Nightmares, which accompanies a groundbreaking exhibition at Tate Britain, will be the first serious consideration of these themes in visual art.Six sections explore individual themes: the Gothic nightmare, examining Fuseli's famous painting in context; the Sublime vision of the Gothic hero, tortured and imprisoned; |
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Sida 15
... visual sources of the painting , for the first time since the late eighteenth century . By that stage , the best way into Fuseli was thought to be by treating him as a collagist of visual quotations , a painter who thought he was ...
... visual sources of the painting , for the first time since the late eighteenth century . By that stage , the best way into Fuseli was thought to be by treating him as a collagist of visual quotations , a painter who thought he was ...
Sida 39
... visual this option has been perhaps most energetically explored in relation to cinema , where a concerted effort towards gleeful revisionism has emerged in the last few years . As Matthew Sweet recently noted , ' British cinema tends to ...
... visual this option has been perhaps most energetically explored in relation to cinema , where a concerted effort towards gleeful revisionism has emerged in the last few years . As Matthew Sweet recently noted , ' British cinema tends to ...
Sida 105
... visual artists . The episode concerning Maria , a French girl abandoned by her lover and discovered by Yorick by the roadside , was a particular favourite , painted by Wright of Derby as well as featuring in many prints and decorative ...
... visual artists . The episode concerning Maria , a French girl abandoned by her lover and discovered by Yorick by the roadside , was a particular favourite , painted by Wright of Derby as well as featuring in many prints and decorative ...
Innehåll
Foreword | 6 |
Acknowledgements | 7 |
Somewhere between the Sublime and the Ridiculous Christopher Frayling | 9 |
Upphovsrätt | |
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Gothic Nightmares: Fuseli, Blake and the Romantic Imagination Martin Myrone Ingen förhandsgranskning - 2006 |
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appears Art Gallery artist Auckland Art Gallery Bindman Blake's British Museum Butlin catalogue classical cm Tate cm The British composition contemporary Cosway created cultural Death drawing Dream eighteenth century engraving erotic etching exhibition fairy fantasy Farington female figure Fuseli's Fuseli's painting George ghost Gillray's Gothic Gothic novel head Henry Fuseli hero heroic Holst Horace Walpole horror horse illustrations imagination James Gillray John John Hamilton Mortimer King Knowles Kunsthaus literary literature London Lord Macbeth madness Maria Cosway narrative night Nightmare Oil on canvas original painter perhaps Phantasmagoria picture poem political portrait Prometheus published Queen reference represents Rome Romney Royal Academy scene Schiff sexual Shakespeare Gallery sleep story Sublime suggested supernatural taste terror theme Theodor von Holst Thomas thou Titania vision visual wash on paper watercolour watercolour on paper Weinglass 1994 William Blake witches woman women Zurich