Lectures on the English Poets and the English Comic WritersBell, 1876 - 232 sidor |
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Sida 6
... force of comparison or contrast : loses the sense of present suffering in the imaginary exaggeration of it : exhausts the terror or pity by an unlimited indulgence of it : grapples with impossibilities in its desperate im- patience of ...
... force of comparison or contrast : loses the sense of present suffering in the imaginary exaggeration of it : exhausts the terror or pity by an unlimited indulgence of it : grapples with impossibilities in its desperate im- patience of ...
Sida 8
... force . Impassioned poetry is an emanation of the moral and intellectual part of our nature , as well as of the sensitive— of the desire to know , the will to act , and the power to feel ; and ought to appeal to these different parts of ...
... force . Impassioned poetry is an emanation of the moral and intellectual part of our nature , as well as of the sensitive— of the desire to know , the will to act , and the power to feel ; and ought to appeal to these different parts of ...
Sida 21
... force and variety . His poetry is , like his religion , the poetry of number and form : he describes the bodies as well as the souls of men . The poetry of the Bible is that of imagination and of faith it is abstract and disembodied ...
... force and variety . His poetry is , like his religion , the poetry of number and form : he describes the bodies as well as the souls of men . The poetry of the Bible is that of imagination and of faith it is abstract and disembodied ...
Sida 23
... force of the character he impresses upon them . His mind lends its own power to the objects which it contemplates , instead of borrowing it from them . He takes advantage even of the nakedness and dreary vacuity of his subject . His ...
... force of the character he impresses upon them . His mind lends its own power to the objects which it contemplates , instead of borrowing it from them . He takes advantage even of the nakedness and dreary vacuity of his subject . His ...
Sida 31
... force to his power of observation . The picturesque and the dramatic are in him closely blended together , and hardly distinguishable ; for he principally describes external ap- pearances as indicating character , as symbols of internal ...
... force to his power of observation . The picturesque and the dramatic are in him closely blended together , and hardly distinguishable ; for he principally describes external ap- pearances as indicating character , as symbols of internal ...
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Lectures on the English Poets, and the English Comic Writers William Hazlitt,William Carew Hazlitt Obegränsad förhandsgranskning - 1869 |
Lectures on the English Poets, and on the English Comic Writers William Hazlitt Obegränsad förhandsgranskning - 1880 |
Lectures on the English Poets and the English Comic Writers William Hazlitt,William Carew Hazlitt Obegränsad förhandsgranskning - 1906 |
Vanliga ord och fraser
absurdity admirable affectation appear beauty Beggar's Opera Ben Jonson blank verse Boccaccio character Chaucer circumstances comedy comic common critics delight Don Quixote dramatic equal excellence face fame fancy feeling folly genius Gil Blas give grace happy heart Hogarth Hudibras human humour idea imagination imitation instance interest kind labour Lady language laugh less light living look Lord lover ludicrous Lyrical Ballads manners Milton mind Molière moral Muse nature never night objects original Othello painted passion person picture play pleasure poem poet poetical poetry Pope prose racter reader refinement ridiculous satire scene School for Scandal seems sense sentiment Shakspeare Shakspeare's sort soul speak Spenser spirit story striking style Tartuffe Tatler thee things thou thought tion Tom Jones truth turn verse vice whole William Hazlitt words writer
Populära avsnitt
Sida 14 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Sida 133 - The warbling woodland, the resounding shore, The pomp of groves, and garniture of fields; All that the genial ray of morning gilds, And all that echoes to the song of even, All that the mountain's sheltering bosom shields, And all the dread magnificence of heaven, O how canst thou renounce, and hope to be forgiven ! X.
Sida 84 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Sida 124 - Yon cottager, who weaves at her own door, Pillow and bobbins all her little store: Content though mean, and cheerful if not gay, Shuffling her threads about the livelong day, Just earns a scanty pittance, and at night Lies down secure, her heart and pocket light; She for her humble sphere by nature fit, Has little understanding and no wit, Receives no praise; but though her lot be such, (Toilsome and indigent) she renders much; Just knows, and knows no more, her Bible true — A truth the brilliant...
Sida 152 - tis madness to defer: Next day the fatal precedent will plead ; Thus on, till wisdom is push'd out of life. Procrastination is the thief of time ; Year after year it steals, till all are fled, And to the mercies of a moment leaves The vast concerns of an eternal scene.
Sida 103 - ... In the worst inn's worst room, with mat half -hung, The floors of plaster, and the walls of dung, On once a flock-bed, but repaired with straw, With tape-tied curtains never meant to draw, The George and Garter dangling from that bed Where tawdry yellow strove with dirty red, Great Villiers lies — alas ! how changed from him, That life of pleasure, and that soul of whim ! Gallant and gay, in Cliveden's proud alcove, The bower of wanton Shrewsbury and love ; Or just as gay at council, in a ring...
Sida 13 - I have almost forgot the taste of fears. The time has been, my senses would have cool'd To hear a night-shriek ; and my fell of hair, Would at a dismal treatise rouse, and stir, As life were in't. I have supp'd full with horrors : Direness, familiar to my slaughterous thoughts, Cannot once start me.
Sida 48 - To th' instruments divine respondence meet The silver sounding instruments did meet With the base murmur of the water's fall ; The water's fall with difference discreet, Now soft, now loud, unto the wind did call; The gentle warbling wind low answered to all.
Sida 222 - What though the radiance which was once so bright Be now for ever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower ; We will grieve not, rather find Strength in what remains behind ; In the primal sympathy Which having been must ever be ; In the soothing thoughts that spring Out of human suffering ; In the faith that looks through death, In years that bring the philosophic mind.
Sida 124 - Just earns a scanty pittance, and at night Lies down secure, her heart and pocket light ; She for her humble sphere by nature fit, Has little understanding, and no wit, Receives no praise, but (though her lot be such, Toilsome and indigent) she renders much ; Just knows, and knows no more, her bible true, A truth the brilliant Frenchman never knew, And in that charter reads, with sparkling eyes, Her title to a treasure in the skies.