Characters of Shakespeare's PlaysTempleman, 1848 - 345 sidor |
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Sida 53
... beauty and external graces are only indirectly glanced at ; we see " her visage in her mind ; " her character everywhere predominates over her person . " A maiden never bold : Of spirit so still and quiet , that her motion Blushed at ...
... beauty and external graces are only indirectly glanced at ; we see " her visage in her mind ; " her character everywhere predominates over her person . " A maiden never bold : Of spirit so still and quiet , that her motion Blushed at ...
Sida 54
... beauty , do omit Their mortal natures , letting go safely by The divine Desdemona . " In general , as is the case with most of Shak- speare's females , we lose sight of her personal charms in her attachment and devotedness to her ...
... beauty , do omit Their mortal natures , letting go safely by The divine Desdemona . " In general , as is the case with most of Shak- speare's females , we lose sight of her personal charms in her attachment and devotedness to her ...
Sida 87
... beauty , wit , high birth , vigour of bone , desert in service , Love , friendship , charity , are subjects all To envious and calumniating time : One touch of nature makes the whole world kin , - That all , with one consent , praise ...
... beauty , wit , high birth , vigour of bone , desert in service , Love , friendship , charity , are subjects all To envious and calumniating time : One touch of nature makes the whole world kin , - That all , with one consent , praise ...
Sida 99
... beauty of high rank breaks out in her promised reward to him— " There's gold , and here My bluest veins to kiss ! " She had great and unpardonable faults , but the beauty ANTONY AND CLEOPATRA . 99.
... beauty of high rank breaks out in her promised reward to him— " There's gold , and here My bluest veins to kiss ! " She had great and unpardonable faults , but the beauty ANTONY AND CLEOPATRA . 99.
Sida 100
William Hazlitt. She had great and unpardonable faults , but the beauty of her death almost redeems them . She learns from the depth of despair the strength of her affections . She keeps her queen - like state in the last disgrace , and ...
William Hazlitt. She had great and unpardonable faults , but the beauty of her death almost redeems them . She learns from the depth of despair the strength of her affections . She keeps her queen - like state in the last disgrace , and ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth