Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 sidor |
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Sida 23
... hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius of Shakespear than this . It is as if he had been actually present , had known the different ...
... hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius of Shakespear than this . It is as if he had been actually present , had known the different ...
Sida 28
... hand , Desdemona and Emilia are not meant to be opposed with any thing like strong contrast to each other . Both are , to outward appearance , characters of common life , not more distinguished than women usually are , by difference of ...
... hand , Desdemona and Emilia are not meant to be opposed with any thing like strong contrast to each other . Both are , to outward appearance , characters of common life , not more distinguished than women usually are , by difference of ...
Sida 31
... hand , and making sport ( as he thinks ) of his misfortunes , the intol- erable bitterness of his feelings , the extreme sense of shame , makes him fall to praising her accomplishments and relapse into a momentary fit of weakness ...
... hand , and making sport ( as he thinks ) of his misfortunes , the intol- erable bitterness of his feelings , the extreme sense of shame , makes him fall to praising her accomplishments and relapse into a momentary fit of weakness ...
Sida 37
... hands and all his engines at work , he is still worse when he has nothing to do , and we only see into the hollowness of his heart . His indifference when Othello falls into a swoon , is perfectly diabolical . " Iago . How is it ...
... hands and all his engines at work , he is still worse when he has nothing to do , and we only see into the hollowness of his heart . His indifference when Othello falls into a swoon , is perfectly diabolical . " Iago . How is it ...
Sida 46
... hand then wiping , forth he goes Like to a harvest man , that's task'd to mow Or all , or lose his hire . Virgilia . His bloody brow ! Oh Jupiter , no blood . Volumnia . Away , you fool ; it more becomes a man Than gilt his trophy . The ...
... hand then wiping , forth he goes Like to a harvest man , that's task'd to mow Or all , or lose his hire . Virgilia . His bloody brow ! Oh Jupiter , no blood . Volumnia . Away , you fool ; it more becomes a man Than gilt his trophy . The ...
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admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth