Characters of Shakespeare's Plays: & Lectures on the English PoetsMacmillan and Company, 1920 - 422 sidor |
Från bokens innehåll
Resultat 6-10 av 51
Sida 55
... language he addresses to his niece : nor is she much behind - hand in coming into the plot . Her head is as light and fluttering as her heart . " It is the prettiest villain , she fetches her breath so short as a new - ta'en sparrow ...
... language he addresses to his niece : nor is she much behind - hand in coming into the plot . Her head is as light and fluttering as her heart . " It is the prettiest villain , she fetches her breath so short as a new - ta'en sparrow ...
Sida 71
... language , manners , and sentiments of their own , from the tremendous imprecations of the Witches in Macbeth , when they do " a deed without a name , " to the sylph - like expressions of Ariel , who " does his spiriting gently ; " the ...
... language , manners , and sentiments of their own , from the tremendous imprecations of the Witches in Macbeth , when they do " a deed without a name , " to the sylph - like expressions of Ariel , who " does his spiriting gently ; " the ...
Sida 110
... language of poetry is superior to the language of painting ; because the strongest of our recol- lections relate to feelings , not to faces . 3. That the greatest strength of genius is shewn in describing the strongest passions : for ...
... language of poetry is superior to the language of painting ; because the strongest of our recol- lections relate to feelings , not to faces . 3. That the greatest strength of genius is shewn in describing the strongest passions : for ...
Sida 112
... language I have learned these forty years , My native English , now I must forego ; And now my tongue's use is to me no more Than an unstringed viol or a harp , Or like a cunning instrument cas'd up , Or being open , put into his hands ...
... language I have learned these forty years , My native English , now I must forego ; And now my tongue's use is to me no more Than an unstringed viol or a harp , Or like a cunning instrument cas'd up , Or being open , put into his hands ...
Sida 150
... language and all the richness of the imagination to relieve the painfulness of the subject . The character of King John himself is kept pretty much in the back ground ; it is only marked in by com- paratively slight indications . The ...
... language and all the richness of the imagination to relieve the painfulness of the subject . The character of King John himself is kept pretty much in the back ground ; it is only marked in by com- paratively slight indications . The ...
Andra upplagor - Visa alla
Vanliga ord och fraser
admirable affections Antony Apemantus appear Banquo beauty Bolingbroke breath Brutus Cæsar Caliban character Chaucer circumstances Claudio comedy Cordelia Coriolanus critic CYMBELINE death delight Desdemona dost doth dramatic equal eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath hear heart heaven Henry honour Hubert human humour Iago imagination interest Juliet king lady Lear live look lord Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble o'er objects Othello passages passion person pity play pleasure poem poet poetical poetry prince refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense sentiment Shakespear shew Sir Toby sleep soul speak speech spirit story striking style sweet tender thee thing thou art thought Titus Andronicus tragedy true truth words writer Yorkshire Tragedy youth