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" The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called... "
The Literary Panorama and National Register - Sida 587
1816
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The Spiritual Magazine, Volym 1

1866 - 588 sidor
...than from two to three hundred lines; if that indued can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pea, ink, and paper,...
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The Complete Works of Samuel Taylor Coleridge: With an Introductory ..., Volym 7

Samuel Taylor Coleridge - 1868 - 714 sidor
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,...
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The beautiful forever tales, Volym 1

Beautiful forever tales - 1869 - 362 sidor
...founded, and was written down immediately on awaking, the images rising up before him as things, with parallel production of the correspondent expressions,...without any sensation or consciousness of effort. Similarly in the state, or disorder, of waking dreaming, or spectre seeing, the reasoning powers are...
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Sleep and Its Derangements

William Alexander Hammond - 1869 - 350 sidor
...from two to three hundred lines, if that, indeed, can be called composition, in which all the images rose up before him as things with a parallel production of the corresponding expression without any sensation or consciousness of effort. On awaking, he appeared...
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The Poetical Works of Samuel Taylor Coleridge

Samuel Taylor Coleridge - 1873 - 472 sidor
...composed between two and three hundred lines, if that can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions without any sensation or consciousness of effort." This is the earliest record...
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Jewish history and politics [&c.].

sir Edward Strachey (3rd bart.) - 1874 - 508 sidor
...from two to three hundred lines ; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort : on awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, paper, and ink,...
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Jewish History and Politics in the Times of Sargon and Sennacherib: An ...

Sir Edward Strachey - 1874 - 504 sidor
...from two to three hundred lines ; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort : on awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, paper, and ink,...
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The popular encyclopedia; or, 'Conversations Lexicon': [ed. by A. Whitelaw ...

Popular encyclopedia - 1874 - 530 sidor
...composed less than from 200 to 300 lines, if that can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he instantly sat down to commit the poem to paper. After he had written the Unes subsequently published,...
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Principles of Mental Physiology: With Their Applications to the Training and ...

William Benjamin Carpenter - 1874 - 774 sidor
...from two to three hundred lines, which he had nothing to do but to write down, "the images rising up as things, with a parallel production of the correspondent...without any sensation or consciousness of effort." The whole of this singular fragment, as it stands, consisting of fifty-four line?, was written as fast...
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The Poetical Works of Samuel Taylor Coleridge

Samuel Taylor Coleridge - 1874 - 470 sidor
...composed between two and three hundred lines, if that can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions without any sensation or consciousness of effort." This is the earliest record...
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