 The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called...  The Literary Panorama and National Register - Sida 5871816Obegränsad förhandsgranskning - Om den här boken
 | William Benjamin Carpenter - 1894 - 824 sidor
...two to three hundred lines, which he had nothing to do but to write down, "the images rising up ai' things, with a parallel production of the correspondent...without any sensation or consciousness of effort." The whole of this singular fragment, as it stands, consisting of fifty-four lines, wa• written as... | |
 | John Morley - 1894 - 620 sidor
...from two to three hundred lines — if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effect. On awaking he appeared... | |
 | 1895 - 932 sidor
...dreamed the poem, and only wrote down, when awake, what he remembered out of his dream. " The images rose up before him as. things, with a parallel production of the corresponding expressions." It is not nnusual to dream verses, to remember them is rare, to find them... | |
 | William Wirt Kinsley - 1896 - 362 sidor
...than from two to three hundred lines, if that can indeed be called composition in which all the images rose up before him as things with a parallel production...the correspondent expressions, without any sensation of effort. On awaking, he appeared to himself to have a distinct recollection of the whole, and, taking... | |
 | Charles Mackay - 1897 - 666 sidor
...than from two to three hundred lines: if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1897 - 868 sidor
...vivid impression th^l, |»e had composed between DREAMING. 200 and 300 Hues. The images, he says, ' rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort. ' On awakening, he had so distinct a remembrance of the whole,... | |
 | Samuel Taylor Coleridge - 1898 - 166 sidor
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1898 - 804 sidor
...lines ; if that indeed can be called composition in which all the images rose up before him as /kings, with a parallel production of the correspondent expressions,...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Harry Thurston Peck - 1898 - 964 sidor
...had the most vivid impression that he had composed between 200 and 306 lines. The images, he says, "rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort." On awakening, he had so distinct a remembrance of the whole,... | |
 | 1899 - 666 sidor
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effect. On awaking he appeared... | |
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