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Böcker Böcker91 - 100 av 163 om Still wouldst thou sing, and I have ears in vain — To thy high requiem become a....
" Still wouldst thou sing, and I have ears in vain — To thy high requiem become a sod. "
The poets of the nineteenth century - Sida 135
efter Robert Aris Willmott - 1857 - 398 sidor
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Wine and walnuts

William Alexander Clouston - 1876
...upon the midnight with no pain, While thou art pouring forth thy soul on high In such an ecstasy ! Still wouldst thou sing, and I have ears in vain,...and clown : Perhaps the self-same song that found a pathj Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn, The...
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Chambers's Cyclopædia of English Literature: A History, Critical ..., Volym 2

Robert Chambers, Robert Carruthers - 1876
...cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy 1 of bom for death, immortal bird ! No hungry generations tread thee down ; The voice I hear this passing...
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A NEW LIBRARY OF POETRY AND SONG

WILLIAM CULLEN BRYANT - 1876
...upon the midnight, with no pain, While thou art pouring forth thy soul abroad In such an ecstasy ! Still wouldst thou sing, and I have ears in vain, — To thy high requiem become a sod. 236 237 The voice I hear this passing night was heard In ancient days by emperor and clown : Perhaps...
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The Complete Works of Oscar Wilde: Poems and poems in prose

Oscar Wilde, Russell Jackson, Ian Small, Bobby Fong - 2000 - 368 sidor
...died and she subsequently became regent. 76. king and doom: cf. Keats's 'Ode to a Nightingale', 63-4: 'The voice I hear this passing night was heard | In ancient days by emperor and clown . . . '. 80-1. Dante: exiled from Florence, he died in Ravenna. He was interred in the church of S....
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Orphic song with Daedal harmony: die "Musik" in Texten der englischen und ...

Pia-Elisabeth Leuschner - 2000 - 246 sidor
...But [...] guess each sweet [...]" („Ode to the Nightingale" (Anm. 667) v. 41 und 43). Ebd.: „Thou wast not born for death, immortal Bird! / No hungry generations tread thee down; [...]" (v. 61 f). ' Vgl. auch Fry: „[...] the echo of a word already spoken, reduces words from signs...
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The Challenge of Keats: Bicentenary Essays 1795-1995

Allan C. Christensen, Anthony L. Johnson, Giuseppe Galigani - 2000 - 313 sidor
...such a poet. In this sense the tradition is right that wants to identify Keats with the nightingale ("The voice I hear this passing night was heard / In ancient days ... "), and it is why Clark privileges the nightingale in his sequence. Section 5 is called "Phosphorescence",...
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The Discovery of Poetry: A Field Guide to Reading and Writing Poems

Frances Mayes - 2001 - 494 sidor
...cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain —...clown: Perhaps the self-same song that found a path 'Fays: fairies. In Your Notebook: When you hear the first few bars of music by a group you like, you...
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The Cambridge Companion to Keats

Susan J. Wolfson - 2001 - 272 sidor
...pain," then the richness of his thought is immediately nullified by the realism of mortal extinction: "Still wouldst thou sing, and I have ears in vain - / To thy high requiem become a sod," he laments to the nightingale (55-60). In To Autumn we read a series of statements about the season's...
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Not One of Them in Place: Modern Poetry and Jewish American Identity

Norman Finkelstein - 2001 - 194 sidor
...cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain— To thy high requiem become a sod. Here, death takes on all the appeal of luxurious, eroticized vitality, in contrast to the sphere of...
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The Black Man's Religion: The myth of Genesis and Exodus, and the exclusion ...

Yosef Ben-Jochannan - 2002 - 74 sidor
...OF PERSIA, London, 1930 [2 vols. , 3rd. ed.] GL Huxley, ACHAEANS AND HITTITES, Oxford, 1960 Thou was not born for death, immortal bird ! No hungry generations...night was heard In ancient days by emperor and clown. . . . * II close with this extract from Keat's ODE TO A NIGHTINGALE. Rear cover designed by Y. ben-Jochannan...
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