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" We cannot indeed have a single Image in the Fancy that did not make its first Entrance through the Sight; but we have the Power of retaining, altering and compounding those Images, which we have once received, into all the Varieties of Picture and Vision... "
The Spectator: With a Biographical and Critical Preface, and Explanatory ... - Sida 270
1854
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Aids to English Composition: Prepared for Students of All Grades

Richard Green Parker - 1857
...phrase, any such means, would have been more natural. " We cannot indeed have a single image in the fancy, that did not make its first entrance through...but we have the power of retaining, altering, and compoundmg those images which we have once received, into all the varieties of picture and vision,...
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English Grammar on the Productive System: A Method of Instruction Recently ...

Roswell Chamberlain Smith - 1857 - 192 sidor
...received, into all the varieties of picture unu vision." It it rery proper to say, " alterin* anil compounding those images which we have once received, into all the varieties of picture and vision ;" but wo cannot with propriety •ay, " retaining them into all the varieties ;" and yet, according...
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Aids to English Composition

Richard Green Parker - 1858
...phrase, any such means, would have been more natural. " We cannot indeed have a single image in the fancy, that did not make its first entrance through the sight ; but we have the power of retaining, filtering, and compounding those images which we have once received, into all the varieties of picture...
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The Poetic Mind

Frederick Clarke Prescott - 1922 - 308 sidor
...imagination "the very life and highest perfection of poetry." "We cannot, indeed, have a single image in the fancy that did not make its first entrance through...varieties of picture and vision that are most agreeable to'the imagination." The imagination thus "has something in it like creation; it bestows a kind of...
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Terms of Response: Language and the Audience in Seventeenth- and Eighteenth ...

Robert L. Montgomery - 2010
...paintings, statues, descriptions, or any the like occasion. We cannot indeed have a single image in the fancy that did not make its first entrance through...into all the varieties of picture and vision that are the most agreeable to the imagination; for by this faculty a man in a dungeon is capable of entertaining...
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Joseph Addison and Richard Steele: The Critical Heritage

Edward Alan Bloom, Lillian D. Bloom - 1995 - 480 sidor
...altering and compounding them into all the varieties of picture and vision;' or better perhaps thus: 'We have the power of retaining, altering, and compounding those images which we have once received; and of forming them into all the varieties of picture and vision. ' - The latter part of the sentence...
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The Enlightenment: An Interpretation. The science of freedom

Peter Gay - 1996 - 705 sidor
...with some explicit Lockian reservations. "We cannot indeed," he wrote, "have a single Image in the Fancy that did not make its first Entrance through...Picture and Vision that are most agreeable to the Imagination."1 The pleasures of the imagination are magnificent and almost infinitely various; Addison...
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Don Quixote in England: The Aesthetics of Laughter

Ronald Paulson - 1998 - 242 sidor
...Swift's satire on our "Power of retaining, altering and compounding those Images [of the senses] , which we have once received, into all the varieties...Vision that are most agreeable to the Imagination" into praise. His version of the caged Quixote or the imprisoned madman of the "Digression concerning...
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Mark Akenside: A Reassessment

Robin Dix - 2000 - 296 sidor
...paradoxically involves a savage contraction.13 For Addison, it is by means of the imagination that "a Man in a Dungeon is capable of entertaining himself with Scenes and Landskips more beautiful than any that can be found in the whole Compass of Nature" (411, 3:537). The...
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"Das Heilige sei mein Wort": Paradigmen prophetischer Dichtung von Klopstock ...

Bernadette Malinowski - 2002 - 464 sidor
...Paintings, Statues, Descriptions, or any the like Occation. We cannot indeed have a single Image in our Fancy that did not make its first Entrance through...of retaining, altering and compounding those Images [...] into all the varieties of Picture and Vision that are most agreeable to the Imagination.46 Andererseits...
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