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" It were all one That I should love a bright particular star, And think to wed it, he is so above me : In his bright radiance and collateral light Must I be comforted, not in his sphere. "
The Prose and Poetry of Europe and America: Consisting of Literary Gems and ... - Sida 346
1845 - 600 sidor
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The family Shakespeare [expurgated by T. Bowdler]. in which those words are ...

William Shakespeare - 1843
...imagination Carries no favour in it, but Bertram's. I am undone ; there is no living, none, If Bertram 5 4@5 4 (5 4 'Twas pretty, though a plague, Tu «ее him every hour ; to sit and draw Hn arched brows, bis hawking...
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The Plays and Poems of William Shakespeare: Printed from the Text ..., Volym 2

William Shakespeare - 1843
...imagination Carries no favour in 't but Bertram's. I am undone : there is no living , none , If Bertram be away. It were all one , That I should love a bright...collateral light Must I be comforted, not in his sphere. Tii' ambition in toy love thus plagues itself: II. 81 The hind that would be mated by the lion Must...
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Knight's Cabinet edition of the works of William Shakspere, Volym 1

William Shakespeare - 1843
...imagination Carries no favour in 't but Bertram's. I am undone ; there is no living, none, If Bertram be away. It were all one That I should love a bright particular star, And think to wed it, be is so above me : In his bright radiance and collateral light Must I be comforted, not in his sphere....
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Aspects of Shakespeare's 'Problem Plays': Articles Reprinted from ...

Kenneth Muir, Stanley Wells - 1982 - 153 sidor
...shown to Shakespeare's own 'Lord of my love' (Sonnet 26). The image of the star is used by both: 'twere all one That I should love a bright particular star And think to wed it, he is so above me. (1, i, 83-5) The 'comfort' sought by Helena from Bertram's 'bright radiance' is echoed in Shakespeare's...
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Syracuse University

Steve Krakauer - 2005 - 160 sidor
...especially since she remains painfully loyal to him. From the start she persists in seeing Bertram as "so above me. / In his bright radiance and collateral light / Must I be comforted, not in his sphere" (1.1.8587). Since we hardly know anything about him when she tells us of her love, we can easily be...
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Shakespeare's Soliloquies

Wolfgang Clemen - 2004 - 211 sidor
...Carries no favour in't but Bertram's. I am undone; there is no living, none, If Bertram be away; 'twere all one That I should love a bright particular star And think to wed it, he is so above me. 85 In his bright radiance and collateral light Must I be comforted, not in his sphere. Th' ambition...
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Ulysses Annotated: Notes for James Joyce's Ulysses

Don Gifford, Robert J. Seidman - 1989 - 645 sidor
...her love for Bertram, count of Rousillon, and their relative positions on the social scale: '"Twere all one / That I should love a bright particular star / And think to wed it, he is so above me" (Ii96-98). 12.996 (319:28). says I to myself, says I - In Act I of Gilbert and Sullivan's Iolanthe;...
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Shakespeare on Love: Quotations from the Plays & Poems

William Shakespeare - 1991 - 85 sidor
...still pour in the waters of my love And lack not to lose still. All's Well That Ends Well (1.3) 'Twere all one That I should love a bright particular star...collateral light Must I be comforted, not in his sphere. Th' ambition in my love thus plagues itself: The hind that would be mated by the lion Must die for...
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Shakespeare's Courtly Mirror: Reflexivity and Prudence in All's Well that ...

David Haley - 1993 - 314 sidor
...spheres: In his bright radiance and collateral light Must I be comforted, not in his sphere. Th'ambition in my love thus plagues itself: The hind that would be mated by the lion Must die for love. (86-90) The trenchant self-criticism in "Th'ambition in my love thus plagues itself," or in "my idolatrous...
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Look Who's Laughing: Gender and Comedy

Gail Finney - 1994 - 363 sidor
...vaunting and lucid verse, yet even in her most poetic revelation, tainted by a covetous note: "Th' ambition in my love thus plagues itself: / The hind...that would be mated by the lion / Must die for love" [Ii88-90]. What emerges is a powerful erotic undercurrent — the question of who will "[flesh] his...
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